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For most Americans, Rosie the Riveter, the arm-flexing female factory worker in a World War II wartime poster, is a symbol of American strength and resiliency during one of history's darkest periods.
Rosie the Riveter is an allegorical cultural icon in the United States who represents the women who worked in factories and shipyards during World War II, many of whom produced munitions and war supplies. [1] [2] These women sometimes took entirely new jobs replacing the male workers who joined the military.
The Life and Times of Rosie the Riveter is a 1980 documentary film and the first movie made by Connie Field, about the American women who went to work during World War II to do "men's jobs." [ 3 ] [ 4 ] [ 5 ] In 1996, it was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally ...
Guido (/ ˈ ɡ w iː d oʊ /, Italian:) is a North American subculture, slang term, and ethnic slur referring to working-class urban Italian-Americans. The guido stereotype is multi-faceted. At one point, the term was used more generally as a disparaging term for Italians and people of Italian descent.
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The future is female — so was the past.
Rosie the Riveter (Westinghouse poster, 1942). The image became iconic in the 1980s. American women in World War II became involved in many tasks they rarely had before; as the war involved global conflict on an unprecedented scale, the absolute urgency of mobilizing the entire population made the expansion of the role of women inevitable.
During World War II, the "We Can Do It!" poster was not connected to the 1942 song "Rosie the Riveter", nor to the widely seen Norman Rockwell painting called Rosie the Riveter that appeared on the cover of the Memorial Day issue of the Saturday Evening Post, May 29, 1943. The Westinghouse poster was not associated with any of the women ...