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Dark Is the Night (Тёмная ночь, lit. Dark Night) is a famous Soviet song associated with the Great Patriotic War. It was originally performed by Mark Bernes in the 1943 war film Two Soldiers. The song was written by composer Nikita Bogoslovsky (1913-2004) and poet Vladimir Agatov who wrote text on his music.
Dark Night is a song by The Blasters. It was first featured on the 1985 album Hard Line . The earliest offerings of the song in popular culture can be found in the 1985 episode "Whatever Works" in season 2 of the TV crime drama Miami Vice .
The Dark Knight: Original Motion Picture Soundtrack is the soundtrack album to the 2008 film of the same name, which is a sequel to Christopher Nolan's 2005 film Batman Begins. The soundtrack was released on July 15, 2008, in three editions: CD , limited edition CD digipak , and digital download .
The song's title is borrowed from a hymn that was popular in the nineteenth century American South with fasola singers. “Gethsemane”, written by English clergyman Thomas Haweis in 1792, begins with the lines “Dark was the night, cold was the ground / on which my Lord was laid.” [3] Music historian Mark Humphrey describes Johnson's composition as an impressionistic rendition of ...
"In the Dark of the Night" is a song written by lyricist Lynn Ahrens and composer Stephen Flaherty for the 1997 20th Century Fox animated film Anastasia. It is sung by Rasputin ( Christopher Lloyd speaking, Jim Cummings singing) and serves as the villain song.
"Dark Is the Night" is the most recognizable Soviet song from World War II. Bernes's name had become closely associated with World War II. After the war, he continued to perform songs about the war. His greatest hits of the 1950s were "Muscovites" (also known as "Seryozhka from Malaya Bronnaya Street") and "Enemies Burned the Native Hut Down".
"Night Moves" was recorded at Nimbus Nine Studios in Toronto, Ontario.Seger and the Silver Bullet Band had gone there for three days to record a few tracks with The Guess Who's producer Jack Richardson at the request of Seger's manager, who wanted him to produce a more "commercial" song.
Jonathan Broxton of Movie Music UK wrote that "in many ways, The Dark Knight Rises showcases the best and the worst of Hans Zimmer's musical personality in one all-encompassing score. On the one hand, the intellectual design and intelligent use of Bane’s Chant shows Zimmer at his creative best, taking a simple idea and working it around to ...