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Heart of Darkness is an 1899 novella by Polish-British novelist Joseph Conrad in which the sailor Charles Marlow tells his listeners the story of his assignment as steamer captain for a Belgian company in the African interior.
Edmund Musgrave Barttelot, who became notorious for his brutality, is one of the historical persons that may have inspired Kurtz's persona.. Kurtz's persona is generally understood to derive from the notoriously brutal history of the so-called Congo Free State, a territory that existed as the private property of King Leopold II from 1885 to 1908 until it was taken over by Belgium and became a ...
Heart of Darkness is a novel told in the first person perspective that surrounds the character Marlow as he retells the story of when he traveled through Africa for his trade company. The novel alludes to Africa as a place of darkness, thus the title referring to being in the heart of Africa or heart of "Darkness". The novel describes Africa as ...
The poem is often attributed to anonymous or incorrect sources, such as the Hopi and Navajo tribes. [1]: 423 The most notable claimant was Mary Elizabeth Frye (1905–2004), who often handed out xeroxed copies of the poem with her name attached. She was first wrongly cited as the author of the poem in 1983. [4]
The poem's epigraph, "Mistah Kurtz – he dead", is a quotation from Conrad's Heart of Darkness (1899), upon which the film is loosely based. [citation needed] The trailer for the film Southland Tales (2006), directed by Richard Kelly, references the poem, stating: "This is the way the world ends, not with a whimper but with a bang."
In literature, an epigraph is a phrase, quotation, or poem that is set at the beginning of a document, monograph or section or chapter thereof. [1] The epigraph may serve as a preface to the work; as a summary; as a counter-example; or as a link from the work to a wider literary canon, [ 2 ] with the purpose of either inviting comparison or ...
The collection contained sixty-eight short poems written in Crane's sparse, unconventional style. The untitled "lines", as Crane referred to them, were differentiated by Roman numerals and written entirely in small capitals. [3] Crane was 23 years old when the book was published. [4]
"In the Desert" is the third of fifty-six short poems published in this volume. The poem is only ten lines and briefly describes an interaction between the speaker and "creature, naked, bestial" encountered "in the desert", eating his heart.