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Horse symbolism is the study of the representation of the horse in mythology, religion, folklore, art, literature and psychoanalysis as a symbol, in its capacity to designate, to signify an abstract concept, beyond the physical reality of the quadruped animal.
The horse appears less frequently in modern art, partly because the horse is no longer significant either as a mode of transportation or as an implement of war. Most modern representations are of famous contemporary horses, artwork associated with horse racing, or artwork associated with the historic cowboy or Native American tradition of the ...
A foal at about weaning age. A foal is an equine up to one year old; this term is used mainly for horses, but can be used for donkeys. More specific terms are colt for a male foal and filly for a female foal, and are used until the horse is three or four. When the foal is nursing from its dam (mother), it may also be called a "suckling".
Blue Horse I is an oil painting by Franz Marc completed in 1911. It is one of the painter's most famous works and is part of the collection of the Städtische Galerie im Lenbachhaus in Munich . The painting was part of several exhibitions that Franz Marc and fellow Russian painter Wassily Kandinsky presented to the public under the name Der ...
The villages were involved in the art of furniture and clock-making, and it is likely the leftover scraps of wood were put to use in the production of Dala horses. [1] Many early Dala horses were not painted at all, but in the beginning of the 19th century painting them in a single color, white or red, became common practice.
For stylistic reasons—including the use of pencil instead of pen and ink—it is generally believed by scholars that Blake began work on the piece sometime in 1803. [5] Paintings and drawings from the series are typically characterised by intense displays of colour and The Four and Twenty Elders is generally held as one of the most vivid ...
The original Palaeo-Balkan word for 'horseman' has been reconstructed as *Me(n)zana-, with the root *me(n)za-'horse'. It is based on evidence provided by: [5] Albanian: mëz or mâz 'foal', with the original meaning of 'horse' that underwent a later semantic shift 'horse' > 'foal' after the loan from Latin caballus into Albanian kalë 'horse'; the same root is also found in Albanian: mazrek ...
Tang dynasty tomb figure, sancai horse, 7–8th century, also using blue, as on the saddle. Sancai (Chinese: 三 彩; pinyin: sāncǎi; lit. 'three colours') [1] is a versatile type of decoration on Chinese pottery and other painted pieces using glazes or slip, predominantly in the three colours of brown (or amber), green, and a creamy off-white.
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