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David Bull (born 11 November 1951) is a Canadian ukiyo-e woodblock printer and carver who heads the Mokuhankan studio in Asakusa, Tokyo. [1] [2] Born in Britain, Bull moved to Canada at the age of 5.
The paper of woodblocks are often made of wood fibers and may react to non-archival quality storage materials. For example, if stored in paper folders, the prints can become acidic. Using acid-free storage materials can prevent these acidic processes.
The table consists of a stout framework of wood or iron supporting a thick slab of stone varying in size according to the width of cloth to be printed. Over the stone table top a thick piece of woolen printers blanket is tightly stretched to supply the elasticity necessary to give the block every chance of making a good impression on the cloth.
Oil could be used to make the lines of the image more visible. An incision is made along both sides of each line or area. Wood is then chiseled away, based on the drawing outlines. The block is inked using a brush and then a flat hand-held tool called a baren is used to press the paper against the woodblock to apply the ink to the paper. The ...
Wood engraving is a printmaking technique, in which an artist works an image into a block of wood. Functionally a variety of woodcut , it uses relief printing , where the artist applies ink to the face of the block and prints using relatively low pressure.
Each page or image is created by carving a wooden block to leave only some areas and lines at the original level; it is these that are inked and show in the print, in a relief printing process. Carving the blocks is skilled and laborious work, but a large number of impressions can then be printed.
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