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She taught at Staccato Music School [4] and is a musicologist representing the new generation of "Zoomers and TikTok," presenting music through emotional storytelling. [5] She developed two music theory courses for the online learning platform PimaSCHOOL, recorded podcasts for the Saint Petersburg Philharmonia .
The Oxford Companion to Music describes three interrelated uses of the term "music theory": The first is the "rudiments", that are needed to understand music notation (key signatures, time signatures, and rhythmic notation); the second is learning scholars' views on music from antiquity to the present; the third is a sub-topic of musicology ...
The book is an attempt to chart the history of industrial music as a genre from its early influences (including art music, Italian Futurism, Situationism, and the works of Antonin Artaud and William S. Burroughs) to the present day (including its connections to political radicalism, the gothic subculture, and dance music).
Robert M. Greenberg (born April 18, 1954 [1]) is an American composer, pianist, and musicologist who was born in Brooklyn, New York.He has composed more than 50 works for a variety of instruments and voices, and has recorded a number of lecture series on music history and music appreciation for The Great Courses.
The Society for Music Theory (SMT) is an American organization devoted to the promotion, development and engagement of music theory as a scholarly and pedagogical discipline. [2] Founded in 1977 by a group of distinguished theorists, among them Allen Forte and Wallace Berry , its members are primarily theorists in North American academic ...
His earlier work concentrated on the history of music theory, [2] but he is best known for a series of articles and two books on musical form in European music around 1800. The first of those books, Classical Form: A Theory of Formal Functions for the Music of Haydn, Mozart, and Beethoven [ 3 ] has been widely influential and was a major factor ...
The Theory and Technique of Electronic Music (2007) Max (software), Pure Data: Philip Ewell: born 1966 Music Theory and the White Racial Frame (2020) Race in music, Russian and twentieth century music, as well as rap and hip hop [218] Ellie Hisama: Gendering Musical Modernism: The Music of Ruth Crawford, Marion Bauer, and Miriam Gideon (2007)
Richard Filler Taruskin [6] was born on April 2, 1945, in New York. [4] Taruskin was raised in a family described as liberal, intellectual, Jewish and musical; his mother, Beatrice (Filler), was a piano teacher and father, Benjamin Taruskin, an amateur violinist.