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This is a complete list of the compositions by the Italian composer Ottorino Respighi (1879–1936). This list can be sorted by catalogue number (P), year composed, title, and genre. Catalog numbers were attributed by Potito Pedarra [ it ] , an Italian musicologist who dedicated most of his activity to the study of the works of Respighi.
Ottorino Respighi (/ r ɛ ˈ s p iː ɡ i / reh-SPEE-ghee, [1] US also / r ə ˈ-/ rə-; [2] Italian: [ottoˈriːno reˈspiːɡi]; 9 July 1879 – 18 April 1936) was an Italian composer, violinist, teacher, and musicologist and one of the leading Italian composers of the early 20th century.
"Chamber Orchestra of New York is a premier ensemble that features a seasoned roster of our city’s most flourishing musicians. The orchestra is internationally distinguished for championing unique repertoire that bridges the classical and modern traditions, including iconic film music, through premieres and world premiere recordings of rediscovered masterworks.
Respighi's Concerto gregoriano was used in a one-act ballet depicting the life of Elizabeth Ann Seton, the first person born in the USA to become a Saint in the Catholic Church. [6] The ballet was created in 2025 to honor the 50th anniversary of her canonization and was entitled "Elizabeth" with choreography by Roman Mykyta and first performed ...
Suite No. 3, P 172 was composed in 1931.It differs from the previous two suites in that it is arranged for strings only and somewhat melancholy in overall mood. (A note by the composer in the printed score states that the work may also be performed by a string quartet, completely omitting the double-bass part.)
The piece was first performed in the United States on February 13, 1919. Toscanini recorded the music with the NBC Symphony Orchestra in Carnegie Hall in 1951; the high fidelity monaural recording was issued on LP and then digitally remastered for release on CD by RCA Victor. The work has since become one of the most eminent examples of the ...
The sonata is known for its demanding violin and piano parts and its complex tonal system. Rhythm patterns are also very complex, as time signatures do not always match. [5] For example, the melody in the second movement is first played by the piano in 4 4, whereas the accompaniment has a time signature of 10 8.
The middle movement is inspired by the music of Claude Debussy. The influence of Respighi's teacher, Nikolai Rimsky-Korsakov, is also apparent. [1] Respighi had completed the first two movements of the concerto, and left the introduction of a third movement in piano reduction, with only a few measures orchestrated.
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