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Strike (also known as C. B. Strike internationally) is a British crime drama television programme based on the book series Cormoran Strike by J. K. Rowling under the pseudonym Robert Galbraith. [1] The programme was first broadcast on BBC One on 27 August 2017, after receiving an advance premiere at the British Film Institute on 10 August 2017. [2]
"The Strike" was an American television play broadcast on June 7, 1954, as part of the CBS television series Westinghouse Studio One. Written by Rod Serling and directed by Franklin J. Schaffner , the drama is set during the darkest period of the Korean War , focusing on the stress of command in sacrificing troops in combat.
"The Strike" is the 166th episode of the NBC sitcom Seinfeld. This was the tenth episode of the ninth and final season. [1] It aired on December 18, 1997. [2] This episode features and popularized the holiday of Festivus.
The Strike (also known as Strike!, although this is more properly the title of the fictitious Hollywood movie featured in the episode) is one of the short comedy films – written by Peter Richardson and Pete Richens, and directed by Richardson – which made up the long-running Channel 4 television series The Comic Strip Presents....
The strike is a challenge to Amazon's operations as it races to fulfill orders during its busiest season of the year, although union-represented facilities represent only about 1% of Amazon's ...
(The Center Square) – Almost 60,000 University of California health care and service workers continued to strike Thursday throughout the state. The UC employees are represented by two unions ...
A five-day strike by Starbucks baristas had closed 59 stores as of Monday afternoon, according to the union organizing the workers. The strike, which began Friday in Los Angeles, Chicago and ...
The strike was also discussed at the Cannes Film Festival press conferences, with Sean Penn, Ethan Hawke, Paul Dano, and Kathleen Kennedy expressing their support. [97] Snoop Dogg spoke in support of the strike during a panel at the Milken Institute and drew parallels with payout conflicts between music artists and music streaming platforms. [98]