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  2. Shabby chic - Wikipedia

    en.wikipedia.org/wiki/Shabby_chic

    Shabby chic is a style of interior design that chooses either furniture and furnishings for their appearance of age and signs of wear and tear or distresses new ones to achieve the same result. Unlike much genuine period décor, this style features a soft, pastel-colored , cottage look.

  3. Tablecloth - Wikipedia

    en.wikipedia.org/wiki/Tablecloth

    Traditional Romanian tablecloth made in Maramureș Cover for Square Table, Qing dynasty, Qianlong period, 1736–1795, China. Cut and voided silk velvet. Detail of crochet tablecloth. A tablecloth is a cloth used to cover a table. Some are mainly ornamental coverings, which may also help protect the table from scratches and stains.

  4. Damask - Wikipedia

    en.wikipedia.org/wiki/Damask

    Damask (/ˈdæməsk/; Arabic: دمشق) is a woven, reversible patterned fabric. Damasks are woven by periodically reversing the action of the warp and weft threads. [1] The pattern is most commonly created with a warp-faced satin weave and the ground with a weft-faced or sateen weave. [2]

  5. Linen - Wikipedia

    en.wikipedia.org/wiki/Linen

    Crash (fabric) Crash fabric is coarse linen based rugged material made from both dyed and raw yarns. Dorrock, a stout linen table cloth made in Scotland. Dowlas, a strong linen mentioned by Shakespeare; Linenize; Linothorax, armor of layers of linen; Madapollam, a fabric manufactured from cotton yarn in a linen-style weave

  6. Muslin - Wikipedia

    en.wikipedia.org/wiki/Muslin

    Muslin (/ ˈ m ʌ z l ɪ n /) is a cotton fabric of plain weave. [1] It is made in a wide range of weights from delicate sheers to coarse sheeting. [ 2 ] It is commonly believed that it gets its name from the city of Mosul, Iraq .

  7. Sophie and Harwood Steiger - Wikipedia

    en.wikipedia.org/wiki/Sophie_and_Harwood_Steiger

    The new fabric design was a departure from Harwood’s earlier work but retained a familiar graphic sensibility. These new functional works reflected both Harwood and Sophies’s artistic interests – dozens of fabrics were decorative abstractions of botanical themes, others ruminations on desert animals and cactus.

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