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Introduction and variations on "Nel cor più non mi sento" from La molinara by Giovanni Paisiello, MS 44 (1827) -also with guitar accompaniment-"Capriccio" (a.k.a. Preludio) in G major, MS 54 (1828) "God Save The King" Variations on the English national anthem, Op.9, MS 56 (1829)
I, a Man is a 1967 American erotic drama film written, directed and filmed by Andy Warhol. It debuted at the Hudson Theatre in New York City on August 25, 1967. [ 1 ] The film depicts the main character, played by Tom Baker , in a series of sexual encounters with eight women. [ 1 ]
The progression is also used entirely with minor chords[i-v-vii-iv (g#, d#, f#, c#)] in the middle section of Chopin's etude op. 10 no. 12. However, using the same chord type (major or minor) on all four chords causes it to feel more like a sequence of descending fourths than a bona fide chord progression.
A guitarist can input any single-note melody line (no chords) and the software can generate, as a learning tool, a Lenny Breau or Joe Pass style chord solo with chords that the user can actually reach that are shown on a screen window of a guitar fretboard. The user can specify just how close the chords must be, e.g., "within five frets".
"I'm a Man" is a song written by Steve Winwood and record producer Jimmy Miller. It was first recorded in 1967 by the Spencer Davis Group ; Winwood sang lead vocals and played keyboards. The song was a hit in the United Kingdom and the United States, reaching No. 9 and No. 10, respectively.
The ' 50s progression (also known as the "Heart and Soul" chords, the "Stand by Me" changes, [1] [2] the doo-wop progression [3]: 204 and the "ice cream changes" [4]) is a chord progression and turnaround used in Western popular music. The progression, represented in Roman numeral analysis, is I–vi–IV–V. For example, in C major: C–Am ...
Valerie Jean Solanas (April 9, 1936 – April 25, 1988) was an American radical feminist known for the SCUM Manifesto, which she self-published in 1967, and her attempt to murder the artist Andy Warhol in 1968.
Added tone chord notation is useful with seventh chords to indicate partial extended chords, for example, C 7add 13, which indicates that the 13th is added to the 7th, but without the 9th and 11th. The use of 2, 4, and 6 rather than 9, 11, and 13 indicates that the chord does not include a seventh unless explicitly specified.
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