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The beginning of the concerto. The Oboe Concerto No. 3 in G minor (HWV 287) was composed by George Frideric Handel for oboe, orchestra and basso continuo, possibly in 1704-1705, [1] when he was still in Hamburg. It was first published in Leipzig in 1863 (from unknown sources) in which it was described as a work from 1703. No other source for ...
A number of concertos (as well as non-concerto works) have been written for the oboe, both as a solo instrument as well as in conjunction with other solo instrument(s), and accompanied by string orchestra, chamber orchestra, full orchestra, concert band, or similar large ensemble. These include concertos by the following composers:
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Giuseppe Ferlendis (1755–1810) was an Italian oboist and composer. [1] In 1777, he was appointed oboist at the Court Chapel of Salzburg, with a yearly stipend of 540 florins (higher than that of Mozart by 40 florins).
Concerto for alto saxophone and orchestra (1990)—Miklós Maros; Concerto for alto saxophone and string orchestra (1993)—Krzysztof Meyer; Music for alto saxophone and orchestra (1993/95)—Bertold Hummel; Cyber Bird Concerto, for alto saxophone and orchestra, Op. 59 (1994)—Takashi Yoshimatsu
The third concerto in G major is again in three movements (the opening Largo is too brief to be counted as a movement). There is little doubt that this concerto was compiled by Walsh from a number of pieces by Handel. The concerto is scored for one oboe (can also be replaced by a transverse flute), one bassoon, strings, and continuo. [3]
3 acts; original version libretto by Franco Zeffirelli using the text of the play by William Shakespeare; revised 1975 version libretto by Gian Carlo Menotti: Ballet: 1946: Serpent Heart: for dancers & ensemble: piccolo, flute, oboe, english horn, bassoon, clarinet, horn, piano, string quartet, double bass
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