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Daniel Antonio Reyes Torres (born 5 May 1972) is a Colombian former professional boxer who competed from 1996 to 2009. He held the IBF minimumweight title from 2003 to 2004. As an amateur, he competed at the 1996 Summer Olympics .
Cabela's Legendary Adventures sponsored Richard Childress Racing driver Daniel Hemric during the 2019 Monster Energy NASCAR Cup Series in partnership with Bass Pro Shops. [33] [34] Cabela's previously had a deck lid space on Martin Truex Jr.'s Bass Pro Shops car, now a logo on his race suit. They co-sponsor the No. 31 car driven by Ryan Newman ...
Below is a list of notable defunct retailers of the United States.. Across the United States, a large number of local stores and store chains that started between the 1920s and 1950s have become defunct since the late 1960s, when many chains were either consolidated or liquidated.
Daniel Meade, played by Eric Mabius, was named Editor-in-Chief of Mode by his father after the death of former editor-in-chief Fey Sommers; his appointment made him a target of Wilhelmina's schemes to take over the job that she felt she rightfully deserved. His womanizing and lackadaisical attitude towards his job led Bradford to hire Betty as ...
Daniel Reyes: UD 12 (12) 2001-04-29 Club Amazura, Queens, New York, U.S. Won vacant IBF mini-flyweight title: 18 Win 18–0 Martin Armenta Chaparro TKO 4 (10) 2001-03-23 Tijuana, Mexico: Retained WBC Youth mini-flyweight title: 17 Win 17–0 Víctor Burgos: TKO 8 (12) 2000-12-04 Jai Alai Frontón Palacio, Tijuana, Mexico: Won NABO light ...
Daniel Rey (born Daniel Rabinowitz) is an American musician, record producer and songwriter from New York City, best known for his work with the punk rock band Ramones. As a teenager Rey played in punk band Shrapnel , which also featured Dave Wyndorf , later of Monster Magnet .
Daniel Reyes may refer to: Daniel Reyes (boxer) (born 1972), Colombian Olympic boxer; Daniel de los Reyes (born 1962), American percussionist; Daniel Reyes ...
"Saturday in the Park" is a song written by Robert Lamm and recorded by the group Chicago for their 1972 album Chicago V. It was successful upon release, reaching No. 3 on the Billboard Hot 100, [6] and became the band's highest-charting single at the time, helping lift the album to No. 1. [7]