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The Oxford Companion to Music describes three interrelated uses of the term "music theory": The first is the "rudiments", that are needed to understand music notation (key signatures, time signatures, and rhythmic notation); the second is learning scholars' views on music from antiquity to the present; the third is a sub-topic of musicology ...
She created the non-commercial YouTube project "Open Music Lecture Series," promoting classical music. [7] In collaboration with Warner Music Russia (2021), she launched the YouTube show Theory of the Big Banger on the Wow TV channel, where she explores the formula for musical hits through interviews with guest musicians.
Caplin served as president of the Society for Music Theory from 2005 to 2007 and was its vice-president from 2001 to 2003. [1] His earlier work concentrated on the history of music theory, [2] but he is best known for a series of articles and two books on musical form in European music around 1800.
The Theory and Technique of Electronic Music (2007) Max (software), Pure Data: Philip Ewell: born 1966 Music Theory and the White Racial Frame (2020) Race in music, Russian and twentieth century music, as well as rap and hip hop [218] Ellie Hisama: Gendering Musical Modernism: The Music of Ruth Crawford, Marion Bauer, and Miriam Gideon (2007)
Robert M. Greenberg (born April 18, 1954 [1]) is an American composer, pianist, and musicologist who was born in Brooklyn, New York.He has composed more than 50 works for a variety of instruments and voices, and has recorded a number of lecture series on music history and music appreciation for The Great Courses.
Among his best-known works are the Musik-Lexikon (1882; 5th ed. 1899; Eng. trans., 1893–96), a complete dictionary of music and musicians, the Geschichte der musiktheorie im IX.-XIX. jahrhundert(1898), a history of music theory in Europe through the 19th century, the Handbuch der Harmonielehre, a work on the study of harmony, and the Lehrbuch ...
Riemannian theory, in general, refers to the musical theories of German theorist Hugo Riemann (1849–1919). His theoretical writings cover many topics, including musical logic, [ 1 ] notation, [ 2 ] harmony, [ 3 ] melody, [ 4 ] phraseology, [ 5 ] the history of music theory, [ 6 ] etc.
The legend is, at least with respect to the hammers, demonstrably false. It is probably a Middle Eastern folk tale. [2] These proportions are indeed relevant to string length (e.g. that of a monochord) — using these founding intervals, it is possible to construct the chromatic scale and the basic seven-tone diatonic scale used in modern music, and Pythagoras might well have been influential ...