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Moral criticism is basically concerned with the rights and wrongs of values, ethics or norms people uphold, ... Literary criticism is the comparison, analysis ...
A genre of arts criticism, literary criticism or literary studies is the study, evaluation, and interpretation of literature. Modern literary criticism is often influenced by literary theory, which is the philosophical analysis of literature's goals and methods. Although the two activities are closely related, literary critics are not always ...
It is a common literary analysis technique. [1] Types ... The moral lens was the earliest critical lens to come about, beginning in Book X of Plato's Republic. In it ...
Literary theory is the systematic study of the nature of literature and of the methods for literary analysis. [1] Since the 19th century, literary scholarship includes literary theory and considerations of intellectual history, moral philosophy, social philosophy, and interdisciplinary themes relevant to how people interpret meaning. [1]
New Criticism developed as a reaction to the older philological and literary history schools of the US North, which focused on the history and meaning of individual words and their relation to foreign and ancient languages, comparative sources, and the biographical circumstances of the authors, taking this approach under the influence of nineteenth-century German scholarship.
On Moral Fiction is a collection of essays by the American novelist John Gardner published in 1978. ( ISBN 0-465-05225-8 ) In this work, Gardner attacks what he sees as contemporary literature's lack of morality , which he calls the highest purpose of art and which he defines in the book.
John Crowe Ransom (April 30, 1888 – July 3, 1974) was an American educator, scholar, literary critic, poet, essayist and editor. He is considered to be a founder of the New Criticism school of literary criticism. As a faculty member at Kenyon College, he was the first editor of the widely regarded Kenyon Review. Highly respected as a teacher ...
the limitation of literary criticism to the study of the literary object, i.e., the work itself (116) However, at the same time, Eliot takes the opportunity to disavow that school of criticism. He ridicules one of the methods of New Criticism, known today as close reading, describing it thus: