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The Gothic alphabet is an alphabet for writing the Gothic language. It was developed in the 4th century AD by Ulfilas (or Wulfila), a Gothic preacher of Cappadocian Greek descent, for the purpose of translating the Bible. [a] The alphabet essentially uses uncial forms of the Greek alphabet, with a few additional letters to express Gothic ...
Anglo-Saxon runes or Anglo-Frisian runes are runes that were used by the Anglo-Saxons and Medieval Frisians (collectively called Anglo-Frisians) as an alphabet in their native writing system, recording both Old English and Old Frisian (Old English: rūna, ᚱᚢᚾᚪ, "rune").
Textualis, also known as textura or "Gothic bookhand", was the most calligraphic form of blackletter, and today is the form most associated with "Gothic". Johannes Gutenberg carved a textualis typeface—including a large number of ligatures and common abbreviations—when he printed his 42-line Bible.
On another line, many of the days were marked with one of 19 symbols representing the 19 Golden numbers, for the years of the Metonic cycle. In early calendars, each of the 19 years in the cycle was represented by a rune; the first 16 were the 16 runes of the Younger Futhark , plus three special runes improvised for the remaining three years.
A technical lettering stencil. Technical lettering is the process of forming letters, numerals, and other characters in technical drawing.It is used to describe, or provide detailed specifications for, an object.
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From The Magus (1801) by Francis Barrett.Follows Agrippa's chart above. A 19th-century gravestone in Llanfyllin, Wales, inscribed in the Theban alphabet (Agrippa/Barrett version) and Cistercian numerals.
The kits were invented, developed and marketed in 1950 by Max S. Klein, an engineer and owner of the Palmer Paint Company in Detroit, Michigan, United States, and Dan Robbins, a commercial artist. When Palmer Paint introduced crayons to consumers, they also posted images online for a "Crayon by Number" version. A completed paint-by-number painting