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The French entertainer Félicien Trewey was interested in the art of Chinese shadow puppetry called Ombres Chinoises (known in china as the pi ying xi(皮影戏)), which means "Chinese shadows". He popularized the art of hand shadows when he developed shadows of famous silhouettes. It then became popular in Europe in the 19th century.
Albert Almoznino (Hebrew: אלברט אלמוזנינו; March 3, 1923 – April 7, 2020) was an Israeli hand shadow artist.He gained international recognition in the years 1958-1975 when he performed his hand shadow skills in front of thousands of people at Radio City Music Hall New York, Paris Olympia, Reno Nevada, "The Ed Sullivan Show" [1] and other places.
The Earth’s shadow has two distinct parts,… the UMBRA is the part of the shadow where all direct sunlight is blocked by the Earth; the PENUMBRA of the shadow is where the Earth only blocks some of the sunlight.” Umbra (A) and penumbra (B)
Nang yai (Thai: หนังใหญ่, pronounced [nǎŋ jàj]) is a form of shadow play found in Thailand. Puppets are made of painted buffalo hide, while the story is narrated by songs, chants and music. [1] Nang means "leather" ("leather puppet" in this case), and in common usage refers to a dance-drama shadow puppet show.
This is a series of 102 silkscreened and hand-painted canvases representing distorted photographs of shadows generated in the artist's studio.
Shadow play, also known as shadow puppetry, is an ancient form of storytelling and entertainment which uses flat articulated cut-out figures (shadow puppets) which are held between a source of light and a translucent screen or scrim. The cut-out shapes of the puppets sometimes include translucent color or other types of detailing.
The phenomenon of the shadow has long aroused human curiosity and inspired artistic representation, as recorded by Pliny the Elder, [6] and various forms of shadow play since the 1st millennium BCE. [7] [8] The photogram, in essence, is a means by which the fall of light and shade on a surface may be automatically captured and preserved.
This was the first shadow play in Le Chat Noir. In 1887 Rivière replaced the puppet theater with a proper shadow theater, with a screen 44 inches high and 55 inches wide, held by a huge frame. Artists such as cartoonist Adolphe Willette, painter Caran d'Ache, Henri Rivière and George Auriol created the cabaret's shadow plays. They used zinc ...
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