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Waiting for Godot (/ ˈ ɡ ɒ d oʊ / ⓘ GOD-oh or / ɡ ə ˈ d oʊ / ⓘ gə-DOH [1]) is a play by Irish playwright Samuel Beckett in which two characters, Vladimir (Didi) and Estragon (Gogo), engage in a variety of discussions and encounters while awaiting the titular Godot, who never arrives. [2]
Godot (/ ˈ ɡ ɒ d oʊ / GOD-oh) [a] is a cross-platform, free and open-source game engine released under the permissive MIT license.It was initially developed in Buenos Aires by Argentine software developers Juan Linietsky and Ariel Manzur [6] for several companies in Latin America prior to its public release in 2014. [7]
It is the winner of Best Cinematography at the 2014 Rome Web Awards, and an Official Selection of the 2014 Miami Web Fest. The screenplay is based on a 2013 translation (by director Rudi Azank), "in order to restore the language of Beckett’s more risqué original French script (the English script of the play has always been heavily censored).
Lucky is a character from Samuel Beckett's Waiting for Godot. He is a slave to the character Pozzo. [1] Lucky is unique in a play where most of the characters talk incessantly: he only utters two sentences, one of which is more than seven hundred words long (the monologue). Lucky suffers at the hands of Pozzo willingly and without hesitation.
The "optimist" (and, as Beckett put it, "the major character" 1) of Godot, he represents the intellectual side of the two main characters (in contrast to his companion Estragon's earthy simplicity). One explanation of this intellectualism is that he was once a philosopher.
En-us-Waiting_for_Godot.oga (Ogg Vorbis sound file, length 1.4 s, 177 kbps, file size: 30 KB) This is a file from the Wikimedia Commons . Information from its description page there is shown below.
Waiting for Godot, a herald for the Theatre of the Absurd. Festival d'Avignon, dir. Otomar Krejča, 1978.. The theatre of the absurd (French: théâtre de l'absurde [teɑtʁ(ə) də lapsyʁd]) is a post–World War II designation for particular plays of absurdist fiction written by a number of primarily European playwrights in the late 1950s.
Pozzo is a character from Samuel Beckett's play Waiting for Godot. [1] His name is Italian for "well" (as in "oil well"). On the surface he is a pompous, sometimes foppish, aristocrat (he claims to live in a manor, own many slaves and a Steinway piano), cruelly using and exploiting those around him (specifically his slave, Lucky and, to a lesser extent, Estragon).