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Renaissance art (1350 – 1620 [1]) is the painting, sculpture, and decorative arts of the period of European history known as the Renaissance, which emerged as a distinct style in Italy in about AD 1400, in parallel with developments which occurred in philosophy, literature, music, science, and technology. [2]
The scenes of the era were both divine and mundane, from Hans Memling’s luminous nativity scene, circa 1480, to Bruegel’s depiction of an angry wife hauling home her intoxicated husband, circa ...
The Renaissance has a long and complex historiography, and in line with general skepticism of discrete periodizations, there has been much debate among historians reacting to the 19th-century glorification of the "Renaissance" and individual cultural heroes as "Renaissance men", questioning the usefulness of Renaissance as a term and as a ...
Drolleries in the margins of medieval illuminated manuscripts sometimes contain small scenes of everyday life, and the development of perspective created large background areas in many scenes set outdoors. Medieval and Early Renaissance art usually showed non-sacred figures in contemporary dress by convention.
Paolo Uccello (/ uː ˈ tʃ ɛ l oʊ / oo-CHEL-oh, Italian: [ˈpaːolo utˈtʃɛllo]; 1397 – 10 December 1475), born Paolo di Dono, was an Italian Renaissance painter and mathematician from Florence who was notable for his pioneering work on visual perspective in art.
The art historian Jill Burke was the first to trace the historical origins of the term High Renaissance.It was first coined in German by Jacob Burckhardt in German (Hochrenaissance) in 1855 and has its origins in the "High Style" of painting and sculpture of the time period around the early 16th century described by Johann Joachim Winckelmann in 1764. [2]
Masolino, Banquet of Herod, Castiglione Olona. In the first half of the 15th century, Lombardy was the Italian region where the International Gothic style had the greatest following, so much so that in Europe the expression ouvrage de Lombardie was synonymous with an object of precious workmanship, referring especially to the miniatures and jewelry that were an expression of an elitist ...
Bergamo and Brescia saw in the 15th century a significance in the Italian art scene that can be described as "satellite" compared to centers such as Milan and Venice.It was due to Francesco Sforza that Filarete worked in Bergamo (in the cathedral, c. 1455), and even a masterpiece like Giovanni Antonio Amadeo's Colleoni Chapel (1470-1476) is unthinkable outside the context of Sforza commissions ...