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Sinestesia is the third studio album by Indonesian indie band Efek Rumah Kaca, released on December 18, 2015, on Jangan Marah Records. It was produced by Pandai Besi and the band. Recorded between 2009–15, Sinestesia is the band's first release since their 2008 album Kamar Gelap. [1]
The recording of Kamar Gelap was more concentrated in studio, unlike the first album (which recorded at the band members' houses). [1] Some musicians collaborated with Efek Rumah Kaca during recording, such as Ramondo Gascaro on "Laki-Laki Pemalu", [2] Ade Paloh provided backing vocals and Iman Fattah played guitar on "Jangan Bakar Buku".
The period since 1950 has brought "the most rapid transformation of the human relationship with the natural world in the history of humankind". [1] Almost one-third of the world's forests, and almost two-thirds of its grassland, have been lost to human agriculture—which now occupies almost half the world's habitable land.
The original gardens of the Royal Palace of Laeken date back to the 18th century, but King Leopold II drastically changed their appearance. The king, having visited the Crystal Palace at the Great Exhibition of 1851 in London, wanted such a progressive building in his palace's garden, which would combine his love for plants with multifunctional spaces that could also be used as a banquet ...
Efek Rumah Kaca (English: Greenhouse Effect) is an Indonesian indie rock band, formed in 2001. The band consists of Cholil Mahmud (lead vocal, guitar), Adrian Yunan Faisal (back vocals, bass, guitar), Airil "Poppie" Nur Abadiansyah (back vocals, bass) dan Akbar Bagus Sudibyo (drum, back vocals).
A hoard of silver Viking treasure now located in the Rijksmuseum van Oudheden. The original curved iron sword; the oldest iron object ever found in the Netherlands from the Vorstengraf (Oss) Egyptian offering chapel of Hetepherakhty, 1905.
The lyrics of "Efek Rumah Kaca" are about global warming, while "Bukan Lawan Jenis" addresses homosexuality. [2] "Jatuh Cinta Itu Biasa Saja" states that blind love is not good. [3] "Cinta Melulu" criticized the tendencies exhibited by Indonesian love songs, especially infidelity.
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