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CinemaScope logo from The High and the Mighty (1954). CinemaScope is an anamorphic lens series used, from 1953 [1] to 1967, and less often later, for shooting widescreen films that, crucially, could be screened in theatres using existing equipment, albeit with a lens adapter.
Several generic digital data connection standards are designed to carry audio/video data along with other data and power: USB was designed as a single connector to support all needs, including any generic data, audio/video, power, and more; DisplayLink is its most successful Audio+Video protocol. Until the 3.0 revision, very low data rates ...
These schemes combined VGA or digital video, audio, FireWire, and USB signals into a single connector. Deprecated. Made obsolete by DFP and later DVI. HDI-45: Apple proprietary. Combines Analog VGA out, stereo analog audio out, analog microphone in, S-video capture in, Apple desktop bus interface.
The standard supports the simultaneous transfer of data (at least USB 2.0, and depending on video resolution: USB 3.1 Gen 1 or 2) and power charging (up to 40 W via USB Power Delivery), in addition to MHL audio/video. [2] This allows the connection to be used with mobile docks, allowing devices to connect to other peripherals while charging ...
In addition to carrying analog RGB video, the connector supports analog stereo audio signals (input and output), Apple Desktop Bus (ADB), and S-video input. [4] Because the AudioVision 14 Display has front-mounted connectors for ADB and audio and video, a single consolidated cable and proprietary connector was used to simplify the connection to the computer and reduce cable clutter.
iSight is a brand name used by Apple Inc. to refer to webcams on various devices. The name was originally used for the external iSight webcam, which retailed for US$149, connected to a computer via a FireWire cable, and came with a set of mounts to place it atop any then current Apple display, laptop computer, all-in-one desktop computer, or round surface.
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The term 35mm adapter is common, since most designs use a focusing screen the size of a 35mm film frame (24×36 mm) and interface with lenses designed for 35mm cameras. The use of adapters has decreased largely due to the video function available on newer DSLR cameras .
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