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The Chords were one of the early acts to be signed to Cat Records, a subsidiary label of Atlantic Records. [2] Their debut single was a doo-wop version of a Patti Page song "Cross Over the Bridge", and the record label reluctantly allowed a number penned by the Chords on the B-side. [3]
The Chords sacked Hassett, and the former Vibrators' singer Kip Herring stepped in. [1] The new line-up was featured on the cover of their next single, "One More Minute", which arrived in May 1981. [1] It was a flop, as was August's "Turn Away Again", and the Chords called it a day the following month. [1]
CPAT was a Registered Organisation with the Chartered Institute for Archaeologists. CPAT was both a limited company (1212455) and a registered charity (508301). It therefore provided publicly-accessible accounts to Companies House and to the Charity Commission in the UK. The governing body was the Board of Trustees, who were voluntary non ...
The Rip Chords were an early-1960s American vocal group, originally known as the Opposites, composed of Ernie Bringas and Phil Stewart. [1] The group eventually expanded into four primary voices, adding Columbia producer Terry Melcher and co-producer Bruce Johnston (best known as a member of the Beach Boys).
The most basic three-chord progressions of Western harmony have only major chords. In each key, three chords are designated with the Roman numerals (of musical notation): The tonic (I), the subdominant (IV), and the dominant (V). While the chords of each three-chord progression are numbered (I, IV, and V), they appear in other orders. [f] [18]
The progression is also used entirely with minor chords[i-v-vii-iv (g#, d#, f#, c#)] in the middle section of Chopin's etude op. 10 no. 12. However, using the same chord type (major or minor) on all four chords causes it to feel more like a sequence of descending fourths than a bona fide chord progression.
In contrast to most other songs of that era, the verses consist mainly of minor chords, while the instrumental break shifts to a rather conventional major chords structure [citation needed]. It served as the title song to John Boorman's well-regarded 1965 DC5 vehicle and pop scene film Catch Us If You Can (retitled Having a Wild Weekend in the ...
"Rise Up" is a pop song recorded by the Canadian group the Parachute Club on their self-titled 1983 album. It was produced and engineered by Daniel Lanois, and written by Parachute Club members Billy Bryans, Lauri Conger, Lorraine Segato and Steve Webster, with additional lyrics contributed by filmmaker Lynne Fernie.