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The discography of MercyMe, an American Christian rock band, includes 11 studio albums, two compilation albums, two video albums, and 28 singles. MercyMe , formed in 1994, released six independent albums from 1995–2000 before signing with INO Records and releasing their major label debut album, Almost There (2001). [ 1 ]
MercyMe's sixth studio album, The Generous Mr. Lovewell, was released on May 4, 2010. The album itself peaked at No. 3 on the Billboard 200 (MercyMe's highest debut to date and first top 5 album ever on the chart) and No. 1 on the
Topics about MercyMe songs in general should be placed in relevant topic categories: Pages in category "MercyMe songs" The following 26 pages are in this category ...
Almost There is the first studio album by the American Christian rock band MercyMe.Produced by Pete Kipley, it was released on August 14, 2001, by INO Records.After releasing six albums as an unsigned band, they decided to pursue a record contract because it became too difficult to sell albums, book shows, and manage themselves.
The Hurt & the Healer is the seventh studio album by American contemporary Christian music band MercyMe. Released on May 22, 2012, the album was about the season that the band is currently in at the time of composing the music. [1] Produced by Brown Bannister and Dan Muckala, the album met with positive critical and commercial reception.
Undone is the third studio album by Christian rock band MercyMe.It was produced by Pete Kipley and released on April 20, 2004 on INO Records.Following the success of MercyMe's previous studio efforts and their surprise crossover hit "I Can Only Imagine”, they were given significantly more resources to develop the album with.
Spoken For is the second studio album by Christian rock band MercyMe.Produced by Pete Kipley, the album was released on October 1, 2002, by INO Records.The album's production, which followed the success of "I Can Only Imagine" on Christian radio, was described by lead singer Bart Millard as "nerve-racking"; the album musically represents a shift in the band's musical style, with critics ...
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