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Cat-headed deity Bastet. In ancient Egypt, cats were represented in social and religious scenes dating as early as 1980 BC. [2] Several ancient Egyptian deities were depicted and sculptured with cat-like heads such as Mafdet, Bastet and Sekhmet, representing justice, fertility, and power, respectively. [3]
The Egyptian jackal was listed as a subspecies of the golden jackal but molecular and osteological data has established that it is a unique species in its own right. It is native to Egypt, Libya , and Ethiopia , though its post- Pleistocene range once encompassed the Palestine region .
Anubis as a jackal perched atop a tomb, symbolizing his protection of the necropolis "Anubis" is a Greek rendering of this god's Egyptian name. [7] [8] Before the Greeks arrived in Egypt, around the 7th century BC, the god was known as Anpu or Inpu. The root of the name in ancient Egyptian language means "a royal child."
The Egyptian wolf had an unresolved taxonomic identity and was formerly known as the Egyptian jackal. Throughout much of the 20th century, the animal was classed as a subspecies of golden jackal, Canis aureus lupaster. Notice was however taken by numerous zoologists of the animal's morphology, which corresponds more to that of the grey wolf.
Rapses' (Presley's) bodyguards, Ja-Kal, Rath, Armon, and Nefer-Tina, along with Rapses' cat, Kahti, awake from the dead to protect him from Scarab. They use the power of Ra to transform into powerful guardians. Each of the mummies is aligned with the power of an Egyptian god. Ja-Kal uses the spirit of a falcon, Rath uses the spirit of a snake ...
The Obsequies of an Egyptian Cat, by John Reinhard Weguelin (1886). Ancient Egyptian religion was characterized by polytheism, the worship of multiple deities. [4] Prior to the unification of Upper and Lower Egypt, there were a tremendous number of these deities, each patron of a different element of the natural world. [5]
The distinction between songs, hymns and poetry in ancient Egyptian texts is not always clear. The convention is to treat as songs those poetic texts which are depicted with musical instruments. If the songs are seen to have a clear connection with temple cults and festivals then they are commonly described as hymns. [5]
The Cats of Ancient Egypt". The Dawn of Art in the Ancient World: An Archaeological Sketch. New York: Macmillan and Co. pp. 172−185. Cooper, JC (1992). Symbolic and Mythological Animals. London: Aquarian Press. ISBN 1-85538-118-4. Engels, D.W. (2001). Classical Cats. The Rise and Fall of the Sacred Cat. London, New York: Routledge. ISBN 0-415 ...