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Despite the avoidance of the representation of Muhammad in Sunni Islam, images of Muhammad are not uncommon in Iran. The Iranian Shi'ism seems more tolerant on this point than Sunnite orthodoxy. [51] In Iran, depictions have considerable acceptance to the present day, and may be found in the modern forms of the poster and postcard. [12] [52]
Hilye, or calligraphic panel containing a physical description of the Prophet Muhammad made in 1718 in the Galata Palace, Istanbul. Dihya Salim al-Fahim, (1718), via Wikimedia CommonsThe ...
Usage on other articles, it is argued, do not add any real informational value, as the depictions are not contemperaneous- having been developed centuries after Muhammad's death. As some Muslims typically find depictions of Muhammad to be highly offensive and blasphemous, some editors believe that image usage should be kept to a minimum.
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Narrated Busr bin Sa`id: That Zaid bin Khalid Al-Juhani narrated to him something in the presence of Sa`id bin 'Ubaidullah Al- Khaulani who was brought up in the house of Maimuna the wife of the Prophet. Zaid narrated to them that Abu Talha said that the Prophet (ﷺ) said, "The Angels (of Mercy) do not enter a house wherein there is a picture."
A caliph is the supreme religious and political leader of an Islamic state known as the caliphate. [1] [2] Caliphs (also known as 'Khalifas') led the Muslim Ummah as political successors to the Islamic prophet Muhammad, [3] and widely-recognised caliphates have existed in various forms for most of Islamic history.
However, figurative arts existed since the formative stage of Islam. [3] Small miniatures were not seen in public, as they were kept in the libraries or houses of the elites. However the depiction of Muhammad himself remained something to be approached with care, and various conventions such as masks and clouds were adopted to at least hide his ...
Siyer-i Nebi (Ottoman Turkish: سیر نبی) is an Ottoman epic on the life of the Islamic prophet Muhammad, completed around 1388, written by Mustafa (son of Yusuf of Erzurum, known as al-Darir), a Mevlevi dervish on the commission of Sultan Barquq, the Mamluk ruler in Cairo.