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Koi No Yokan is the seventh studio album by the American alternative metal band Deftones, released on November 12, 2012, by Reprise Records. [ 3 ] [ 4 ] Its title is a phrase from the Japanese language "恋の予感", translating to "premonition of love".
Deftones formed in 1988 in Sacramento, California. Their first commercially released album was Adrenaline , in 1995. It peaked at number 23 in the Billboard Heatseekers Albums chart, its success attributable to word-of-mouth and rigorous touring and live performance. 1997's Around the Fur was far more successful, peaking at number one on the ...
In March 2014, while Moreno was touring with his side project Crosses in support of their self-titled debut album, the rest of Deftones began writing a follow-up to Koi No Yokan. [93] Deftones also previously reported that they intended to record a new album either in late 2014 or early 2015. [94]
"Leathers" is the first single from the American alternative metal band Deftones' seventh album, Koi No Yokan, and their 17th single overall. The song was made available on September 19, 2012 for free download on the band's official website, [2] [3] [4] before being released as a digital download on iTunes. [5]
With Eros still shelved, Deftones began writing a second album with Vega in 2011, [26] and released their follow-up to Diamond Eyes, titled Koi No Yokan, on November 13, 2012. [27] Though Cheng was showing signs of improvement from his condition since the accident, he died on April 13, 2013 after his heart suddenly stopped, making Eros the last ...
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"Swerve City" is a song by American alternative metal band Deftones. It is the opening track on their seventh studio album, Koi No Yokan (2012), and was released as a single on March 30, 2013, where it peaked at No. 6 on the Billboard Mainstream Rock Tracks. [3] Belching Beaver released a limited edition IPA beer named after the song in 2019.
Deftones is an eclectic album, with songs spanning many different ideas in diverse genres. It has a much different feel than prior efforts, due in small part to Frank Delgado leaving his turntables behind and instead focusing on playing keyboards and synthesizers for a majority of the songs.
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