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The video originally consisted of highlights from Amanda's 1979 concert in Hamburg, Germany, filmed during her heyday as a disco singer and directed by Denis Taranto. The 30-minute material was released in 1980 with different covers as Amanda Lear Live and Live in Concert and featured mostly tracks from albums I Am a Photograph , Sweet Revenge ...
The album was recorded at Studio Richer in Paris. It consists of downtempo acoustic covers of songs by Serge Gainsbourg, Charles Trenet and Georges Moustaki, among others. [1] The material is performed primarily in French. [2] Tuberose was preceded by the dance single "More" in March 2021 which on the album appears in an acoustic version. "Le ...
Amanda Lear discography consists of eighteen full-length studio albums, thirty-eight compilation albums, two extended plays and seventy-six singles. She has also released one video album and numerous music videos .
Cadavrexquis was a collaboration with French musicians and producers, and German production team Bass Bumpers, recorded in Imagine Studio and SBC Studio in Paris.It was Lear's first English language album since 1986's Secret Passion and marked her definite return to the dance genre.
The track fades out and finishes at 3:04, although liner notes state it is the full 5:13 album version. The Sings Evergreens compilation was issued shortly before the release of With Love, Lear's 2006 studio album consisting exclusively of new recordings of evergreens and jazz standards, originally performed by some of her favourite female ...
Super 20 is a greatest hits album by French singer Amanda Lear, ... Amanda Lear) – 3:36 "I Need a Man" (Anthony Monn, Dieter Kawohl, Amanda Lear) – 3:40
"Aphrodisiac" was re-recorded in French and re-titled "Aphrodisiaque" for its release as a single exclusively in France. During the album's recording sessions, an updated dance version of Lear's signature tune "Follow Me" was recorded, and subsequently released as a single to promote Secret Passion, although it was not included on the album ...
The album itself was Lear's first not to chart in Germany, her biggest market up to that point, but was met with a moderate success in Scandinavian countries and Latin America. For the South American market, Amanda re-recorded three songs in Spanish: "Égal" as "Igual", "Berlin Lady" as "Dama de Berlin" and "Nymphomania" as "Ninfomanía".