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"Just a Little" is a song by the American rock group the Beau Brummels. The song is included on the band's debut album, Introducing the Beau Brummels, and was released as its second single, following "Laugh, Laugh". "Just a Little" became the band's best hit parade U.S. single, which peaked at number eight on the Billboard Hot 100 in June 1965 ...
"Just a Little Lovin' (Will Go a Long Way)" is a 1948 song written by Eddy Arnold and Zeke Clements. Eddy Arnold's recording of the song was his fifth number one in a row on the Folk Records chart, spending four non consecutive weeks on the Best Seller chart with a peak position of No. 13.
"Just a Little Bit" is an R&B-style blues song recorded by Rosco Gordon in 1959. It was a hit in both the R&B and pop charts. Called "one of the standards of contemporary blues," [1] "Just a Little Bit" has been recorded by various other artists, including Little Milton and Roy Head, who also had record chart successes with the song.
Just a Little Lovin ' is the tenth studio album by Shelby Lynne, released in the United States and Canada on January 29, 2008. The album is a tribute to British singer Dusty Springfield , and features covers of nine songs popularized by her, in addition to "Pretend", an original song written by Lynne.
Since most other chords are made by adding one or more notes to these triads, the name and symbol of a chord is often built by just adding an interval number to the name and symbol of a triad. For instance, a C augmented seventh chord is a C augmented triad with an extra note defined by a minor seventh interval:
Kate Middleton rescued her prince from an awkward situation. The future Princess of Wales attended the University of St Andrews from 2001 to 2005, where she met Prince William.
It feels like a more realized Momma. It’s a little more simplified, I think. If one song is the same chords all the way throughout, it’s still okay, as long as it sounds good and it’s catchy.”
The progression is also used entirely with minor chords[i-v-vii-iv (g#, d#, f#, c#)] in the middle section of Chopin's etude op. 10 no. 12. However, using the same chord type (major or minor) on all four chords causes it to feel more like a sequence of descending fourths than a bona fide chord progression.
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