Search results
Results from the WOW.Com Content Network
The ode is written in the form of a prayer to Aphrodite, goddess of love, from a speaker who longs for the attentions of an unnamed woman. [19] Its structure follows the three-part structure of ancient Greek hymns, beginning with an invocation, followed by a narrative section, and culminating in a request to the god. [20]
The Orphic Hymns are a collection of eighty-seven ancient Greek hymns addressed to various deities, which were attributed to the mythical poet Orpheus in antiquity. They were composed in Asia Minor, most likely around the time of the 2nd or 3rd centuries AD, and were used in the rites of a religious community which existed in the region.
The representation of the goddess is not in human form, but it is a circular mass that is broader at the base and rises like a turning-post to a small circumference at the top. The reason for this is obscure. [12] It was also referred to by Apuleius in The Golden Ass: You [Aphrodite] are venerated at the wave-lapped shrine of Paphos. [13]
He did not heed her warning and was struck with a thunderbolt, which in different versions either blinds him or kills him. [5] The principal early narrative of Aphrodite's seduction of Anchises and the birth of Aeneas is the Homeric Hymn (5) to Aphrodite. According to the Bibliotheca, Anchises and Aphrodite had another son, Lyrus, who died ...
The Homeric Hymns (Ancient Greek: Ὁμηρικοὶ ὕμνοι, romanised: Homērikoì húmnoi) are a collection of thirty-three ancient Greek hymns and one epigram. [a] The hymns praise deities of the Greek pantheon and retell mythological stories, often involving a deity's birth, their acceptance among the gods on Mount Olympus, or the establishment of their cult.
The poem is in the form of a hymn to the goddess Aphrodite, invoking her and asking her to appear. [5] In the form which it is preserved on the Florentine ostrakon, it seems to begin unusually abruptly [1] – normally such a hymn would begin with a mention of the god being called upon. [6]
Homeric Hymn 5 To Aphrodite, in Homeric Hymns. Homeric Apocrypha. Lives of Homer, edited and translated by Martin L. West, Loeb Classical Library No. 496, Cambridge, Massachusetts, Harvard University Press, 2003. ISBN 978-0-674-99606-9. Online version at Harvard University Press.
The seduction of Anchises by Venus is described in the Homeric Hymn to Aphrodite (Lines 45-199). The inscription GENVS VNDE LATINVM (whence came the Latin race) alludes to their offspring, Aeneas. An erotic print by Agostino (part of his so-called Lascivie series) may have been used as a model for this scene. Jupiter and Ganymede