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Jewellery of a Berber woman in the Musée du quai Branly, Paris. Jewellery of the Berber cultures (Tamazight language: iqchochne imagine, ⵉⵇⵇⵛⵓⵛⵏ ⵉⵎⴰⵣⵉⵖⵏ) is a historical style of traditional jewellery that was worn by women mainly in rural areas of the Maghreb region in North Africa and inhabited by Indigenous Berber people (in the Berber language Tamazight ...
Africa Explores: 20th-Century African Art. Center for African Art, 1994. Woodward, Richard B. African Art: Virginia Museum of Fine Arts. The Museum, 2000. Roberts, Allen F., et al. Animals in African Art: from the Familiar to the Marvelous. The Museum for African Art, 1995. "Baga - Art & Life in Africa - The University of Iowa Museum of Art."
A Kayan woman wearing neck rings The Celtic gold Snettishham Torc, England, 1st century BC. Neck rings, or neck-rings, are any form of stiff jewellery worn as an ornament around the neck of an individual, as opposed to a loose necklace. Many cultures and periods have made neck rings, with both males and females wearing them at various times.
Waist beads actually originated in ancient Egypt, where they were known as girdles.Egyptians wore them around their waist or lower abdomen. [2] [3] Girdles were symbols of status and were made of chains, wire, thread, and shells, and often featured multiple colors [4] Modern-day people from many African cultures wear waist beads, including Ghanaians, Senegalese, Igbos, Yorubas, Ewes, Ashantis ...
Conversely, the jewellery industry in the early 20th century launched a campaign to popularise wedding rings for men, which caught on, as well as engagement rings for men, which did not, go so far as to create a false history and claim that the practice had medieval roots. By the mid-1940s, 85% of weddings in the U.S. featured a double-ring ...
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