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Burmese dance: Cambodia: Romvong, Apsara Dance, Peacock Dance, Chhayam: Canada: None, Canadian stepdance unofficially; Red River Jig for Métis; jingle dance, Fancy dance and First Nations tribal dance styles dominate in areas populated by First Nations. Cape Verde: Coladeira, Batuque: Chile: Cueca; [4] Rapa Nui: Sau-sau and others China
Entrants to the Championships predominantly come from Great Britain, although many Irish dance schools have attended the festival over the years. [6] Entrants have also come from as far away as Japan and Australia. [7] The British Sequence Championships for children takes place as part of the Blackpool Junior Dance Festival, running since 1947. [8]
English National Ballet (2 C, 33 P) F. ... Pages in category "Dance in England" The following 10 pages are in this category, out of 10 total. ... Code of Conduct;
Dance in England (7 C, 10 P) ... National Dance Awards (1 C, 11 P) O. Dance organisations in the United Kingdom ... Code of Conduct; Developers;
Big Dance was a dance initiative in the United Kingdom, which happened every three years from 2006 to 2016. It was a nine-day biennial festival of dancing, [1] mostly taking place in non-traditional dance spaces such as museums, shopping centres, parks, bridges, stations, galleries, and libraries, with the aim of inspiring people in different ways through dance.
Dancing England was a series of showcase traditional dance concerts held at the Derby Assembly Rooms from 1979 to 1987. They were devised and curated by Phil Heaton and John Shaw, members of the Black Cap Sword Dancers, and two very notable characters on the Nottingham and Derby folk and dance scene of the 1970s.
The following is a list with the most notable dances. Names of many Greek dances may be found spelt either ending with -o or with -os. This is due to the fact that the word for "dance" in Greek is a masculine noun, while the dance itself can also be referred to by a neuter adjective used substantively. Thus one may find both "hasapiko" ("the ...
8 time, [7] and the term was used for a post-play entertainment featuring dance in early modern England, but which 'probably employed a great variety of dances, solo (suitable for jigs), paired, round, country or courtly'; [8] in Playford's Dancing Master (1651) 'the dance game in "Kemps Jegg" is a typical scenario from a dramatic jig and it is ...