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Thus, expressions are cultural to the extent that they carry meaning, value and identity and can be conveyed, expressed, through cultural activities, goods or services. They can come from individuals, groups or societies. [8] Activities, goods or services have a dual economic and cultural value. [9]
Identity performance is a concept that holds that "identity" can be a project or a conscious effort or action taken to present oneself in social interactions. This is based on the definition of identity as an ongoing process of self -definition and the definitions of the self by others, which emerge from interaction with others. [ 1 ]
Tampere Cathedral, an example of National Romantic architecture in Finland. The National Romantic style was a Nordic architectural style that was part of the National Romantic movement during the late 19th and early 20th centuries. It is often considered to be a form of Art Nouveau.
Cultural identity can be expressed through certain styles of clothing or other aesthetic markers. Cultural identity is a part of a person's identity, or their self-conception and self-perception, and is related to nationality, ethnicity, religion, social class, generation, locality, gender, or any kind of social group that has its own distinct culture.
Expressing one's personality, emotions, or ideas through art, music, or drama, [4] is a way to reveal oneself to others in a way that is special to them. [ 5 ] Emergence of self-expression values
This movement emphasized the sublime beauty of nature, the intensity of human emotions, and the glorification of the past, often through the lens of national identity and historical events. Romantic art spread across Europe, gradually influencing various forms of artistic expression, and later resonated in America where artists incorporated ...
By definition, the arts themselves are open to being continually redefined. The practice of modern art, for example, is a testament to the shifting boundaries, improvisation and experimentation, reflexive nature, and self-criticism or questioning that art and its conditions of production, reception, and possibility can undergo.
A work of art may embody an inference process and be an argument without being an explicit argumentation. That is the difference, for example, between most of War and Peace and its final section. 3. Speculative rhetoric or methodeutic. For Peirce this is the theory of effective use of signs in investigations, expositions, and applications of truth.