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A maxim is thought to be part of an agent's thought process for every rational action, indicating in its standard form: (1) the action, or type of action; (2) the conditions under which it is to be done; and (3) the end or purpose to be achieved by the action, or the motive. The maxim of an action is often referred to as the agent's intention.
Art historian Gao Minglu connects maximalism in Chinese visual art to the literary definition by describing the emphasis on "the spiritual experience of the artist in the process of creation as a self-contemplation outside and beyond the artwork itself...These artists pay more attention to the process of creation and the uncertainty of meaning ...
Since 2021 Maxim Kantor has been holding lectures on history and philosophy of art on the Youtube channel Maxim Kantor. He is a Honorary Fellow of Pembroke College, Oxford. He was offered a honorary degree in philosophy of Turin University. Maxim Kantor lives and works in France (Ile de Ré), Germany (Emden and Berlin) and UK (Oxford).
The Wainwright Building in St. Louis, Missouri, designed by Louis Sullivan and built in 1891, is emblematic of his famous maxim "form follows function".. Form follows function is a principle of design associated with late 19th- and early 20th-century architecture and industrial design in general, which states that the appearance and structure of a building or object (architectural form) should ...
In philosophy, presentationism means the theory that objects are identical with our perceptions of them. [1] According to G. F. Stout (cf. Manual of Psychology , i. 57), presentations are whatever constituents or our total experience at any moment directly determine the nature of the object as it is perceived or thought of at that moment.
According to Christopher Dresser, the primary element of decorative art is utility. The maxim "art for art's sake," identifying art or beauty as the primary element in other branches of the Aesthetic Movement, especially fine art, cannot apply in this context. That is, decorative art must first have utility, but may also be beautiful. [15]
In the English language, this work is known under three different titles. Although English publications about Schopenhauer played a role in the recognition of his fame as a philosopher in later life (1851 until his death in 1860) [4] and a three volume translation by R. B. Haldane and J. Kemp, titled The World as Will and Idea, appeared already in 1883–1886, [5] the first English translation ...
Lectures on Aesthetics (LA; German: Vorlesungen über die Ästhetik, VÄ) is a compilation of notes from university lectures on aesthetics given by Georg Wilhelm Friedrich Hegel in Heidelberg in 1818 and in Berlin in 1820/21, 1823, 1826 and 1828/29.