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Steele, Valerie: Paris Fashion: A Cultural History, Oxford University Press, 1988; ISBN 0-19-504465-7; Takeda, Sharon Sadako, and Kaye Durland Spilker, Fashioning Fashion: European Dress in Detail, 1700–1915, Prestel USA (2010), ISBN 978-3-7913-5062-2; Tortora, Phyllis G. and Keith Eubank. Survey of Historic Costume. 2nd Edition, 1994 ...
1859 fashion plate of both men's and women's daywear, with seabathing in background. He wears the new leisure fashion, the sack coat.. 1850s fashion in Western and Western-influenced clothing is characterized by an increase in the width of women's skirts supported by crinolines or hoops, the mass production of sewing machines, and the beginnings of dress reform.
A crinoline / ˈ k r ɪ n. əl. ɪ n / is a stiff or structured petticoat designed to hold out a skirt, popular at various times since the mid-19th century. Originally, crinoline described a stiff fabric made of horsehair ("crin") and cotton or linen which was used to make underskirts and as a dress lining. The term crin or crinoline continues ...
More and more petticoats were added to make the skirts appear even larger. When the circular crinoline came out in 1856, it was a revelation not only of technology but of convenience for women. [1] The crinoline supported the weight of the numerous skirts and allowed the woman to wear fewer petticoats while still achieving the desired ...
Not all flapper fashion was consistent, as hemlines of dresses changed each year: in 1923 gowns were almost floor length whilst in 1925 they became knee length. [ 11 ] The term flapper, initially described young, working-class women but overtime it was used to describe any young women who challenged the social standards. [ 11 ]
With the new narrower sleeves, coats and jackets returned to fashion. These were generally knee-length with a cape-like collar. Ankle-length cloaks with cape-collars to cover slits for the arms were worn in cold or wet weather. Ermine muffs with attached handkerchiefs were worn to keep hands warm and be fashionable. [4]
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