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The Blue Marble taken with a 70-millimeter Hasselblad camera using an 80-millimeter Zeiss lens [18] [19] Hasselblad 500 EL/M "20 years in space" anniversary edition with 70 mm back, similar to the ones used in the Apollo Program. Several different models of Hasselblad cameras were taken into space, all specially modified for the task. [20]
The traditional Hasselblad medium format film cameras capture images on 120 film in the 6×6 cm (nominal) frame size; the actual frame size measures 56.5×56.5 mm (2.22×2.22 in), which is larger than small format 135 film, with a frame size of 36×24 mm (1.42×0.94 in). This means the crop factor for most film-based Hasselblad cameras (based ...
The photograph was taken from lunar orbit on December 24, 1968, 16:39:39.3 UTC, [8] [9] with a highly modified Hasselblad 500 EL with an electric drive. The camera had a simple sighting ring, rather than the standard reflex viewfinder, and was loaded with a 70 mm film magazine containing custom Ektachrome film developed by Kodak.
In 1998 Phase One launched the Lightphase. which was the first one-shot back that could compete with film in terms of quality. Resolution was 6 MP and the physical size of the CCD was full-frame 35 mm, however the back was designed to be used on Hasselblad 500-series cameras.
Diagram illustrating the flange focal length of an SLR–type and a mirrorless–type camera. For an interchangeable lens camera, the flange focal distance (FFD) (also known as the flange-to-film distance, flange focal depth, flange back distance (FBD), flange focal length (FFL), back focus [1] or register, depending on the usage and source) of a lens mount system is the distance from the ...
Space Entertainment Enterprise (S.E.E), the company co-producing Tom Cruise’s upcoming space movie, plan to launch a sports arena and production studio in zero gravity. S.E.E. has unveiled plans ...
Hasselblad of Sweden has one of the best-known camera systems utilizing 120 and 220 film to produce 6 cm × 6 cm (2 1 ⁄ 4" × 2 1 ⁄ 4") negatives. They also produce other film backs which produce a 6 cm × 4.5 cm image; a back which uses 70mm roll film, a Polaroid Back for instant 'proofs' and even a 35mm film back.
Celluloid Mavericks: A History of American Independent Film. Thunder's Mouth Press, 2001. Musser, Charles (1990). The Emergence of Cinema: The American Screen to 1907. New York: Charles Scribner's Sons. ISBN 0-684-18413-3. Nowell-Smith, Geoffrey, ed. The Oxford History of World Cinema. Oxford University Press, 1999. Parkinson, David. History of ...
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