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The film is directed produced by Govind Nihalani [2] and is based on Magsaysay and Jnanpith award recipient Mahasweta Devi's Bengali 1974 novel Hajar Churashir Maa. [3] The screenplay is written by Nihalani and the dialogues by Tripurari Sharma. The film stars Jaya Bachchan, Anupam Kher, Milind Gunaji, Seema Biswas, Joy Sengupta and Nandita Das ...
Abdurrahman Sharafkandi, known by his pen name Hazhar or Hajar (Kurdish: Hejar, ههژار; Persian: هژار Hazhar) (April 13, 1921 – February 21, 1991), was a renowned Kurdish writer, poet, lexicographer, linguist, and translator, from Iran. He was born in Mahabad. [2]
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Swarg is the fourth last certified hit of Rajesh Khanna, as this was followed by Begunaah, Ghar Parivaar and Rupaye Dus Karod in the year 1991. The movie is loosely based on the 1967 movie Mehrban starring Ashok Kumar , which itself was a remake of the 1960 Tamil movie Padikkadha Medhai which in turn was a remake of 1953 Bengali film Jog Biyog .
Pages from the Charyapada. The original palm-leaf manuscript of the Charyapada, or Caryācaryāviniścaya, spanning 47 padas (verses) along with a Sanskrit commentary, was edited by Shastri and published from Bangiya Sahitya Parishad as a part of his Hajar Bacharer Purano Bangala Bhasay Bauddhagan O Doha (Buddhist Songs and Couplets) in 1916 under the name of Charyacharyavinishchayah.
In Das rupaye (Ten Rupees), he depicts the life of Sarita, an innocent young girl who works as a part time prostitute. [ 12 ] Manto also depicted romance in some of his stories such as Shushu (Shushu) and Mera aur uska intiqam (My revenge and hers), both of which dealt with teenage love.
Rupaye Dus Karod (ten crores of rupees) is the story of a detective novelist (writing in Hindi) - Ravi Varma (Rajesh Khanna), whose father had to flee from India in his childhood because of a conspiracy masterminded by his wicked business partners and later Ravi finds himself in mystery murder and another plot that tried to earn 10 crores by ...
The Burda was accepted within Sufi Islam and was the subject of numerous commentaries by mainstream Sufi scholars [7] such as Ibn Hajar al-Haytami, [8] Nazifi [8] and Qastallani [9] It was also studied by the Shafi'i hadith master Ibn Hajar al-Asqalani (d. 852 A.H.) both by reading the text out loud to his teacher and by receiving it in writing ...