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SongMeanings is a music website that encourages users to discuss and comment on the underlying meanings and messages of individual songs. [ 1 ] [ 2 ] [ 3 ] As of May 2015, the website contains over 110,000 artists, 1,000,000 lyrics, 14,000 albums, and 530,000 members.
Genius is an American digital media company founded on August 27, 2009, by Tom Lehman, Ilan Zechory, and Mahbod Moghadam.Its website serves as an online music encyclopedia allowing users to provide annotations and interpretation to song lyrics, news stories, sources, poetry, and documents.
“Mairzy Doats” is a novelty song written and composed in 1943 by Milton Drake, Al Hoffman, and Jerry Livingston. It contains lyrics that make no sense as written, but are near homophones of meaningful phrases. The song's title, for example, is a homophone of "Mares eat oats".
The original lyrics [9] were composed on February 23, 1940, in Guthrie's room at the Hanover House hotel at 43rd St. and 6th Ave. (101 West 43rd St.) in New York. The line "This land was made for you and me" does not appear in the original manuscript at the end of each verse, but is implied by Guthrie's writing of those words at the top of the page and by his subsequent singing of the line ...
The lyrics also refer to autobiographical details (i.e., the lyric "I got a kid, I'm thirty-three" although Hynde had just turned 32 when the single was released). [6] The harmonica solo near the end of the song is uncredited. Ultimate Classic Rock attributes the solo to Hynde, [7] who usually plays it during live performances of the song.
The lyrics of the song feature a first-person narrator addressing a mysterious enemy, the titular "black rider", across five verses. [10] Critics have variously interpreted the character of the black rider as the biblical Third Horseman of the Apocalypse (AKA Famine), [ 11 ] Bob Dylan's public persona, [ 12 ] Satan , [ 13 ] and/or the ...
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"Israelites" is a song written by Desmond Dekker and Leslie Kong for their group, Desmond Dekker & the Aces, [2] which reached the top of the charts in numerous countries in 1969. Sung in Jamaican Patois, some of the song's lyrics were not readily understood by many British and American listeners at the time of its rel