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The symphony is clearly indebted to Beethoven's predecessors, particularly his teacher Joseph Haydn as well as Wolfgang Amadeus Mozart, but nonetheless has characteristics that mark it uniquely as Beethoven's work, notably the frequent use of sforzandi, as well as sudden shifts in tonal centers that were uncommon for traditional symphonic form (particularly in the third movement), and the ...
Symphony No. 1 (Mozart) in E-flat major (K. 16) by Wolfgang Amadeus Mozart, 1764; Symphony No. 1 (Myaskovsky) in C minor (Op. 3) by Nikolai Myaskovsky, 1908, revised 1921; Symphony No. 1 (Natra) by Sergiu Natra, 1944; Symphony No. 1 (Nielsen) in G minor (Op. 7, FS 16) by Carl Nielsen, 1891–92; Symphony No. 1 (Paine) in C minor by John Knowles ...
The Symphony No. 1, op. 44 by Edmund Rubbra was completed in 1937, soon after the Sinfonia Concertante, his first published large-scale orchestral work.It is the first of four closely related symphonies Rubbra wrote in quick succession, between 1935 and 1941. [1]
Symphony No. 1: Scores at the International Music Score Library Project The Music of Mahler: A catalogue of manuscript and printed sources The entry for the First Symphony outlines the work's history, provides a list of performances up to 1911, a discography of early recordings, and detailed descriptions of the surviving manuscript and printed ...
The failure of Symphony No. 1 was probably related to a subsequent psychological collapse that Rachmaninoff suffered a few months later; it haunted him until his death in 1943. The Symphony No. 1 in D minor, Op. 13, is a four-movement composition for orchestra written from January to October 1895 by the Russian composer Sergei Rachmaninoff.
The same concert included Andante con espressione from English's Symphony No. 2. Both works had favorable reviews. [3] The symphony was broadcast for the last time on 24 February 1945. [1] The full score of the symphony is at the National Library of Australia. [4] It consists of 106 pages, bears the dates of compositions and timing. [1]
For all that, Walton's Symphony No 1 is a free, strong, individual utterance, as far beyond mere imitation as, say, the Brahms First is in its relationship to Beethoven. Not many would wish to call Walton one of the great twentieth-century composers, but the claim that his First Symphony is one of the great twentieth-century symphonies is not ...
The Musical Times said in 1909, "To state that Elgar's Symphony has achieved immediate and phenomenal success is the bare truth". Within weeks of the première the symphony was performed in New York under Walter Damrosch, Vienna under Ferdinand Löwe, St. Petersburg under Alexander Siloti, and Leipzig under Artur Nikisch.
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