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Drama is the specific mode of fiction represented in performance: a play, opera, mime, ballet, etc., performed in a theatre, or on radio or television. [1] Considered as a genre of poetry in general, the dramatic mode has been contrasted with the epic and the lyrical modes ever since Aristotle's Poetics (c. 335 BC)—the earliest work of dramatic theory.
In Ancient Greece however, the word drama encompassed all theatrical plays, tragic, comic, or anything in between. Drama is often combined with music and dance: the drama in opera is generally sung throughout; musicals generally include both spoken dialogue and songs; and some forms of drama have incidental music or musical accompaniment ...
The difference between a docudrama and a documentary is that in a documentary it uses real people to describe history or current events; in a docudrama it uses professionally trained actors to play the roles in the current event, that is "dramatized" a bit. Examples: Black Mass (2015) and Zodiac (2007).
The first form of theatre to flourish was Ningyō jōruri (commonly referred to as Bunraku). The founder of and main contributor to Ningyō jōruri, Chikamatsu Monzaemon (1653–1725), turned his form of theatre into a true art form. Ningyō jōruri is a highly stylized form of theatre using puppets, today about 1 ⁄ 3rd the size of a human ...
There are four basic theatrical genres either defined, implied, or derived by or from Aristotle: Tragedy, Comedy, Melodrama, and Drama. Any number of theatrical styles can be used to convey these forms. A good working definition of "Style" is how something is done. Theatrical styles are influenced by their time and place, artistic and other ...
Theatre of ancient Greece – a theatrical culture that flourished in ancient Greece between c. 550 and c. 220 BC. Tragedy (late 6th century BC), comedy (486 BC), and the satyr play were the three dramatic genres to emerge there. Western theatre originated in Athens and its drama has had a significant and sustained impact on Western culture as ...
Theatre criticism is a genre of arts criticism, and the act of writing or speaking about the performing arts such as a play or opera.. Theatre criticism is distinct from drama criticism, as the latter is a division of literary criticism whereas the former is a critique of the theatrical performance.
A central aspect of theatre of the absurd is the deliberate contradiction between language and action. Often, the dialogue between characters starkly contrasts with their actions. Prominent playwrights within this genre include Samuel Beckett, Jean-Paul Sartre, Eugène Ionesco, Arthur Adamov, and Jean Genet. [9]