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Tenor guitars are four-stringed instruments normally made in the shape of a guitar, or sometimes with a lute-like pear shaped body or, more rarely, with a round banjo-like wooden body. They can be acoustic, electric or both and they can come in the form of flat top or archtop wood-bodied, metal-bodied resonator, or solid-bodied instruments.
Rosewood, a heavy, dense wood often used in expensive furniture, lines the banjo's inner box to give it a clearer tone. When the banjo body is finished, Boarman uses dentist tools to inlay intricate designs of abalone and mother of pearl. After a clear shellac is applied, the banjo is ready for a man with music in his fingers. [12]
The yaylı tambur [1] is a bowed long-neck lute from Turkey. [2] Derived from the older plucked mızraplı tambur variant of the Turkish tambur, it has a long, fretted neck and a round metal or wooden soundbox which is often covered on the front with a skin or acrylic head similar to that of a banjo.
The Cumbus model has a spun aluminum resonator. Prices currently range from around US$150 to $700. In Italy, Musikalia manufactures three models of Mandolin Banjo, always with wooden resonator (mahogany, padouk or maple root wood veneered), animal skin, but gives an alternative between simple or double aluminium ring.
Banjo, "standard roll patterns", on G major chord: Play forward ⓘ (above), Play backward ⓘ, Play mixed ⓘ, and Play forward-reverse ⓘ. [1] [3]Beginning with his first recordings with Bill Monroe and His Blue Grass Boys, and later with Lester Flatt, Earl Scruggs and the Foggy Mountain Boys, Earl Scruggs introduced a vocabulary of "licks", short musical phrases that are reused in many ...
Alfred Adolphus Farland Sr. (April 10, 1864 – May 5, 1954) was a Canadian-American banjoist, playing in the classic banjo style for more than 40 years. [1] [4] [5] He played the banjo wearing a tuxedo, bringing an air of sophistication to the instrument, when the 19th-century image for a banjo player tended toward the comic, the racist and the crude. [6]
Playing styles have all been affected by the introduction of the internal tone ring, driven against the skin to tension/loosen it by screws. This was invented by Seamus O'Kane, from Dungiven, County Londonderry, Northern Ireland, to combat the damp conditions of Donegal in 1975. This system was copied from banjo design but adapted for bodhráns.
Earl Scruggs did not invent three-finger banjo playing; in fact, he said the three-finger style was the most common way to play the five-string banjo in his hometown in western North Carolina. [8] An early influence was a local banjoist, DeWitt "Snuffy" Jenkins , who plucked in a finger style.
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