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He blew with His winds, and they were scattered (Latin: Flavit et Dissipati Sunt) is a phrase used in the aftermath of the defeat of the Spanish Armada in 1588. It referred to the storms in the northern Atlantic Ocean that destroyed much of the Armada, a large naval fleet commanded by the Duke of Medina Sidonia , after it retreated following an ...
The phrase Protestant Wind has been used in more than one context, notably: The storm that lashed the Spanish Armada in 1588. [1] The wind wrecked the Spanish fleet and thus saved England from invasion by the army of Philip II of Spain. The English made a commemorative medal saying 'He blew with His winds, and they were scattered'.
Sonnet 124 is an English or Shakespearean sonnet.The English sonnet has three quatrains, followed by a final rhyming couplet.It follows the typical rhyme scheme of the form abab cdcd efef gg and is composed in iambic pentameter, a type of poetic metre based on five pairs of metrically weak/strong syllabic positions.
And death shall have no dominion. And death shall have no dominion. No more may gulls cry at their ears Or waves break loud on the seashores; Where blew a flower may a flower no more Lift its head to the blows of the rain; Though they be mad and dead as nails, Heads of the characters hammer through daisies; Break in the sun till the sun breaks ...
Oxford Book of English Verse 1250-1918/Blow, Northern Wind at Wikisource " Ichot a burde in boure bryht " ('I know a lady in a bright bower'), sometimes titled, after its burden, " Blow, Northerne Wynd ", is an anonymous late-13th or early-14th century Middle English lyric poem (the burden may have popular or folk origins antedating 1300).
The poorest man may in his cottage bid defiance to all the forces of the Crown. It may be frail; its roof may shake; the wind may blow through it; the storm may enter; the rain may enter; but the King of England cannot enter -- all his force dares not cross the threshold of the ruined tenement! It was noticed in Miller v.
A call for direct debt cancellation made by the late Pope John Paul II during the Jubilee year in 2000 sparked a campaign that resulted in $130 billion of debt cancellation between 2000 and 2015.
The canto is no more a request or a prayer as it had been in the fourth canto—it is a demand. The poet becomes the wind's instrument, his "lyre" (57). This is a symbol of the poet's own passivity towards the wind; he becomes his musician and the wind's breath becomes his breath.