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The painting illustrates the line from Virgil's Eclogues, Omnia Vincit Amor et nos cedamus amori ("Love conquers all; let us all yield to love"). A musical manuscript on the floor shows a large "V". It has therefore been suggested also that the picture is a reference to the achievements of Marchese Vincenzo Giustiniani. Giustiniani is said to ...
In a Christian context, agape means "love: esp. unconditional love, charity; the love of God for person and of person for God". [3] Agape is also used to refer to a love feast. [4] The Christian priest and philosopher Thomas Aquinas described agape as "to will the good of another". [5] Eros (ἔρως, érōs) means "love, mostly of the sexual ...
The Ars amatoria created considerable interest at the time of its publication. On a lesser scale, Martial's epigrams take a similar context of advising readers on love. . Modern literature has been continually influenced by the Ars amatoria, which has presented additional information on the relationship between Ovid's poem and more current wri
If we could imagine the love of one who loves men purely for their own sake, and not because of any need or desire of his own, purely desires their good, and yet loves them wholly, not for what at this moment they are, but for what he knows he can make of them because he made them, then we should have in our minds some true image of the love of ...
Socrates states that he is a "seer". While he is not very good at it, he is good enough for his purposes, and he recognizes what his offense has been: if love is a god or something divine, as he and Phaedrus both agree he is, he cannot be bad, as the previous speeches have portrayed him.
The first maxim, "know thyself", has been called "by far the most significant of the three maxims, both in ancient and modern times". [14] In its earliest appearances in ancient literature, it was interpreted to mean that one should understand one's limitations and know one's place in the social scale. [ 15 ]
Inanna [a] is the ancient Mesopotamian goddess of love, war, and fertility. She is also associated with sensuality, procreation, divine law, and political power.Originally worshipped in Sumer, she was known by the Akkadian Empire, Babylonians, and Assyrians as Ishtar [b] (and occasionally the logogram 𒌋𒁯).
An arihant is a soul who has destroyed all passions, is totally unattached and without any desire and hence has destroyed the four ghātiyā karmas and attained Kevala jñāna, or omniscience. Such a soul still has a body and four aghātiyā karmas. An arhata, at the end of his lifespan, destroys his remaining aghātiyā karma and becomes a siddha.