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This note lies a chromatic semitone above A and a diatonic semitone below B, thus being enharmonic to B ♭ (French: si bémol). When calculated in equal temperament with a reference of A above middle C as 440 Hz, the frequency of the A ♯ above middle C is approximately 466.164Hz. [1] See pitch (music) for a discussion of historical ...
There is a long tradition in classical music of writing music in sets of pieces that cover all the major and minor keys of the chromatic scale. These sets typically consist of 24 pieces, one for each of the major and minor keys (sets that comprise all the enharmonic variants include 30 pieces).
The diatonic scale (seven notes)—this includes the major scale and the natural minor; The melodic and harmonic minor scales (seven notes) These scales are used in all of their transpositions. The music of this period introduces modulation, which involves systematic changes from one scale to another. Modulation occurs in relatively ...
(Certain microtonal scales, particularly quarter tones, can be played on a standard guitar solely by adjusting tunings, but the distance between notes on the scale makes it somewhat impractical.) It is possible to play microtonal scales on a fretless guitar , to convert a fretted guitar into a fretless, or to make a custom neck with a specific ...
The pattern of whole and half steps characteristic of a major scale. The intervals from the tonic (keynote) in an upward direction to the second, to the third, to the sixth, and to the seventh scale degrees of a major scale are called major. [1] A major scale is a diatonic scale. The sequence of intervals between the notes of a major scale is:
In the key of C major, these would be: D minor, E minor, F major, G major, A minor, and C minor. Despite being three sharps or flats away from the original key in the circle of fifths, parallel keys are also considered as closely related keys as the tonal center is the same, and this makes this key have an affinity with the original key.
For orchestral works in A major, the timpani are typically set to A and E a fifth apart, rather than a fourth apart as for most other keys. Hector Berlioz complained about the custom of his day in which timpani tuned to A and E a fifth apart were notated C and G a fourth apart, a custom which survived as late as the music of Franz Berwald .
A-sharp, A ♯ or A# may refer to: A-sharp major, enharmonic to B-flat major; A-sharp minor; A♯ (musical note), musical pitch; A Sharp (.NET), a port of the Ada programming language to the .NET environment; A Sharp (Axiom), a programming language for the Axiom computer algebra system