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Jazzmatazz is a series of hip hop and jazz recordings from American rapper Guru. [1] In a 2009 interview he reflected, "Back around '93—when I first came up with the Jazzmatazz concept—I was noticing how a lot of cats were digging in the crates and sampling jazz breaks to make hip hop records. But while I thought that was cool, I wanted to ...
The term "new jack swing" describes the sound produced and engineered by R&B/hip hop artist and producer Teddy Riley. Riley is an American R&B and hip hop singer-songwriter, musician and record producer. He led the band Guy in the late 1980s and Blackstreet in the 1990s. Riley said, "I define the term [new jack swing] as a new kid on the block ...
This list contains singers and groups who performed in the new jack swing (or swingbeat) [1] [2] style, a hybrid style popular from the mid-1980s into the early 1990s. [3] It developed as many previous music genres did, by combining elements of jazz, R&B, funk and hip hop. [4]
The Sound Providers sound is predominantly jazz orientated hip hop, though their work can consist of a much wider array of genres. Their style is a mix of socially conscious lyrics with new school rap beats, with samples taken from jazz, funk, and reggae.
Sampledelia features "disorienting, perception-warping" manipulations of audio samples or found sounds via techniques such as chopping, looping or stretching. [2] [3] Sampladelic techniques have been applied prominently in styles of electronic music and hip hop, [4] such as trip hop, jungle, post-rock, and plunderphonics. [5]
Jazz rap (also jazz hop or jazz hip hop) is a fusion of jazz and hip hop music, as well as an alternative hip hop subgenre, [1] that developed in the late 1980s and early 1990s. AllMusic writes that the genre "was an attempt to fuse African-American music of the past with a newly dominant form of the present, paying tribute to and ...
Breakbeat is a broad type of electronic music that uses drum breaks, often sampled from early recordings of funk, jazz, and R&B.Breakbeats have been used in styles such as Florida breaks, hip hop, jungle, drum and bass, big beat, breakbeat hardcore, and UK garage styles (including 2-step, breakstep and dubstep).
The album made it to number 94 on the Billboard 200 and number 15 on the Top R&B/Hip-Hop Albums in the United States. In spite of the lagging American sales, Jazzmatazz, Vol. 1 was a commercial success in Europe, where jazz was much more popular in the 1990s. It peaked at No. 43 in Germany, No. 49 in Sweden, No. 58 in the UK, No. 67 in the ...
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