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She is best known for her sweetgrass basket weaving using traditional methods combined with contemporary designs. A native of coastal South Carolina and a descendant of generations of Gullah basket weavers, Jackson was awarded a MacArthur Foundation fellowship in 2008 for "pushing the tradition in stunning new directions."
The actual work of weaving was done by both men and women. [40] Women were often weavers since it was a way they could contribute to the household income while staying at home. [41] Women would usually weave simpler designs within the household while men would be in charge of the weaving of more intricate and complex pieces of clothing. [42]
[1] [2] [3] Raranga is a plaiting technique used for making baskets and mats; whatu is a pre-European finger weft twining weaving method used to make cloaks; and whiri is braiding to make cord. [2] [4] [5] Most people weaving traditional Māori textiles were and are women. Traditionally, to become expert a young woman was initiated into Te ...
Artist Lucy Telles and large basket, in Yosemite National Park, 1933 A woman weaves a basket in Cameroon Woven bamboo basket for sale in K. R. Market, Bangalore, India. Basket weaving (also basketry or basket making) is the process of weaving or sewing pliable materials into three-dimensional artifacts, such as baskets, mats, mesh bags or even furniture.
Tablet weaving, Finland (image of finished band). Side view of tablet weaving. Tablet weaving (often card weaving in the United States) is a weaving technique where tablets or cards are used to create the shed through which the weft is passed. As the materials and tools are relatively cheap and easy to obtain, tablet weaving is popular with ...
T'nalak cloth is woven exclusively by women who have received the designs for the weave in their dreams, which they believe are a gift from Fu Dalu, the T'boli Goddess of abacá. [ 1 ] The rest of the community, including the men, are able to participate in the production of T'nalak by carefully selecting, stripping, and sun-drying the abacá ...
Lau are the tubular skirts worn by women. The same symbols that appear on a man's hinggi reappear on the women's skirts, but the range of techniques used extend beyond ikat alone. These techniques include designs worked by a supplementary weave warp, embroidery, the application of beads and shells, and, occasionally, tufting with supplementary ...
Chilkat weaving is a traditional form of weaving practiced by Tlingit, Haida, Tsimshian, and other Northwest Coast peoples of Alaska and British Columbia. Chilkat robes are worn by high-ranking tribal members on civic or ceremonial occasions, including dances. The blankets are almost always black, white, yellow and blue.
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