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The Cancionero de la Colombina or Cancionero Musical de la Colombina (CMC) is a Spanish manuscript (Ms. 7-1-28) containing Renaissance music from the second half of the 15th century. [ 1 ] The manuscript was copied during the reign of the Catholic Monarchs , possibly between the 1460s and the 1480s.
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It includes Spanish conductors (music) that can also be found in the parent category, or in diffusing subcategories of the parent. Pages in category "Spanish male conductors (music)" The following 65 pages are in this category, out of 65 total.
For example, music from the north-west regions is heavily reliant on bagpipes, the jota is widespread in the centre and north of the country, and flamenco originated in the south. Spanish music played a notable part in the early developments of western classical music, from the 15th through the early 17th century.
Pindaric odes follow the form and style of Pindar. Horatian odes follow conventions of Horace; the odes of Horace deliberately imitated the Greek lyricists such as Alcaeus and Anacreon. Irregular odes use rhyme, but not the three-part form of the Pindaric ode, nor the two- or four-line stanza of the Horatian ode. The ode is a lyric poem.
The immediate emotional response to the saeta, often of intense sorrow, may be the reason for its name, as the Spanish word saeta can mean "arrow or dart". [11] [12] One of the places with the most tradition and variety in the singing of the flamenco saeta in Spain is Jerez de la Frontera.
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García was interested in movements connected with the production of the singing voice and did not anticipate the importance of laryngoscopy for medicine. Still, the University of Königsberg conferred upon him the honorary degree of M.D. [ 5 ] He died in London in 1906 at the age of 101 years and was buried in the churchyard of St. Edward's ...