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The film was made by director and cinematographer Mihai Georgiadi and the characters were played by actors Calina Epuran, Florian Ghimpu, Ana Udroiu, and Silvian Valcu. Artistic directing belongs to Florian Ghimpu and the concept and production of the entire show was made by Petre Marinescu.
Ho Ho Ho is a Romanian Christmas-themed family comedy film starring Romanian music and TV icon Ştefan Bănică, Jr., [1] directed by Jesus del Cerro, [2] and produced by MediaPro Pictures [3] as the first Romanian comedy film about Christmas.
Snow, Tea and Love (Romanian: Zăpadă, Ceai și Dragoste) is a 2021 Romanian science fiction comedy film directed by Cătălin Bugean [3] and written by Andreas Petrescu. [4] It is the first science fiction comedy film production made in the country. [ 5 ]
Opening Title Studio Cast and Crew Genre(s) Ref. April 16: Fixeur: 4 Proof Film: Adrian Sitaru (director), with Sorin Cociș, Tudor Aaron Istodor, Mehdi Nebbou, Nicolas Wanczycki, Diana Spătărescu, Andreea Vasile, Adrian Titieni, Cristian Ilinca
It does not include films first released in previous years that had release dates in 2014. Also included is an overview of the major events in Romanian film, including film festivals and awards ceremonies, as well as lists of those films that have been particularly well received, both critically and financially.
Teambuilding is a 2022 Romanian comedy film directed by Alex Cotet, Matei Dima & Cosmin Nedelcu and written by Cotet. [2] It stars Matei Dima and Cosmin Nedelcu accompanied by Anca Dinicu, Nicu Banea, Șerban Pavlu, Roxana Condurache, Cristi Pulhac, Monica Odagiu and Nuami Dinescu.
Selfie (stylized as #selfie) is a 2014 Romanian teen comedy film directed by Cristina Jacob and produced by Zazu Film. [1] The plot revolves around three 18-year-old girls (played by Crina Semciuc, Flavia Hojda and Olimpia Melinte) who decide to spend their last days before the final exam on a trip to the beach, rather than keep studying.
Guy Lodge of Variety wrote that "it’s largely thanks to Postelnicu’s tricky performance — equal parts pathetic and sympathetic, with a genuine, soulful sadness beneath the amusing tics of his wheezing vocal delivery and gurning body language — that Men of Deeds pulls off its odd, queasily tragicomic tonal shuffle as well as it does, building on the already unflattering boys-in-blue ...