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The hannya (般若) is a mask used in a traditional Japanese Noh theater, representing a jealous female demon. It is characterized by two sharp bull-like horns, metallic eyes, and a leering mouth. [1] In Noh plays, the type of mask changes according to the degree of jealousy, resentment, and anger of the female characters.
Pages in category "Noh" The following 38 pages are in this category, out of 38 total. ... Noh masks of the Konparu school; Noh-men Joshi no Hanako-san; Mansai Nomura; S.
Noh masks signify the characters' gender, age, and social ranking, and by wearing masks the actors may portray youngsters, old men, female, or nonhuman (divine or demonic) characters. [ 23 ] : 13 Only the shite , the main actor, wears a mask in most plays, although the tsure may also wear a mask in some plays.
Onryō are used as subjects in various traditional Japanese performing arts such as Noh, Kabuki, and Rakugo; for example, hannya is a Noh mask representing a female onryō. [5] The Japanese people's reverence for onryō has been passed down to the present day.
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For example, he can place his Mona Lisa mask next to his ko-omote mask, the traditional Noh mask for a young woman, and the dialogue is apparent. (Sauer) Bidou says, "by synthesizing both traditions, I create three-dimensional ‘ personae ’ that breathe new life into these iconic faces and seek to suggest a fresher fusion of Eastern and ...
This is a complete [1] list of extant pre-modern Noh plays, their supposed authors, and categorisations. A short English translation of the title is given where one exists. A list of those plays which have a separate article on Wikipedia can be found here. Some plays are given different names by different schools.
In one Noh drama, translated as, Yamauba, Dame of the Mountain, Konparu Zenchiku states the following: Yamauba is the fairy of the mountains, which have been under her care since the world began. She decks them with snow in winter, with blossoms in spring ...