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Tomorrow shall be my dancing day; I would my true love did so chance To see the legend of my play, To call my true love to my dance; Chorus (sung after each verse) Sing, oh! my love, oh! my love, my love, my love, This have I done for my true love. Then was I born of a virgin pure, Of her I took fleshly substance Thus was I knit to man's nature
"This Have I Done for My True Love", or "Tomorrow Shall Be My Dancing Day", Op. 34, no. 1 [H128], [1] is a motet [2] or part song [3] composed in 1916 by Gustav Holst. The words are taken from an ancient carol , and the music is so strongly influenced by English folk music that it has sometimes been mistaken for a traditional folk song itself.
Lord of the Dance" is a hymn written by English songwriter Sydney Carter in 1963. [1] The melody is from the American Shaker song " Simple Gifts " composed in 1848. The hymn is widely performed in English-speaking congregations and assemblies.
"Tomorrow Shall Be My Dancing Day", a traditional song that the "Lord of the Dance" hymn is based on; Lord of the Dance (Franciscus Henri album) (1976) Lord of the Dance, an Irish musical and dance production Lord of the Dance, an album composed by Ronan Hardiman for the above production
Tomorrow Shall Be My Dancing Day [2] [Unknown] Traditional English Gardner, John: Unto Us is Born a Son [6] [Unknown, sung 2008] 15th-century Latin, translated by G.R. Woodward Piae Cantiones (Devout Songs), arranged by David V. Willcocks: Up Good Christen Folk [22] 1918 Woodward, George Ratcliffe: Piae Cantiones (Devout Songs), arranged by G.R ...
This is a list of songs written by the American gospel songwriter Dottie Rambo. Rambo wrote over 2500 songs throughout her lifetime, and many have been recorded by hundreds of artists. [1] Songs are listed in alphabetical order and followed in parentheses by other notable artists who have recorded or performed the song.
The vi chord before the IV chord in this progression (creating I–vi–IV–V–I) is used as a means to prolong the tonic chord, as the vi or submediant chord is commonly used as a substitute for the tonic chord, and to ease the voice leading of the bass line: in a I–vi–IV–V–I progression (without any chordal inversions) the bass ...
The Cantata by Igor Stravinsky is a work for soprano, tenor, female choir, and instrumental ensemble (of two flutes, oboe, cor anglais (doubling second oboe), and cello), and was composed from April 1951 to August 1952.