Search results
Results from the WOW.Com Content Network
The Adiyogi Shiva bust is a 34-metre tall (112 ft), 45-metre long (147 ft) and 25-metre wide (82 ft) steel bust of Shiva with Thirunamam at Coimbatore, Tamil Nadu.It is recognized by the Guinness World Records as the "Largest Bust Sculpture” in the world.
The name Kāla appears in the Shiva Sahasranama, where it is translated by Ram Karan Sharma as "(the Supreme Lord of) Time". [256] Bhairava "terrible" or "frightful" [257] is a fierce form associated with annihilation. In contrast, the name Śaṇkara, "beneficent" [36] or "conferring happiness" [258] reflects his benign form.
The union of Purusha (Shiva) and Prikriti (Shiva's energy, Shakti) generates the universe, an idea also manifested in the union of the Linga of Shiva and Yoni of Devi creating the cosmos. [57] [58] [59] The Mahabharata lauds this form as the source of creation. [46] Ardhanarishvara also suggests the element of Kama or Lust, which leads to ...
Shiva is seated upon a deer-throne and surrounded by sages who are receiving his instruction. [6] He is shown as seated with his right foot on mythical apasmara (a demon which in Hindu mythology , is the personification of ignorance) and his left foot lies folded on his lap.
It typically shows Shiva dancing in one of the Natya Shastra poses, holding Agni (fire) in his left back hand, the front hand in gajahasta (elephant hand) or dandahasta (stick hand) mudra, the front right hand with a wrapped snake that is in abhaya (fear not) mudra while pointing to a Sutra text, and the back hand holding a musical instrument ...
In Shaivism, Shiva is regarded to be Para Brahman, especially in his form of Parashiva, the supreme form of Shiva. [20] According to the Shiva Purana , Shiva is described to be the only deity to possess both nirguna and saguna attributes, causing him to be the only one worthy of the epithet Ishvara .
His most important contribution was that to the theory of rasa (aesthetic savour). Other poetical works include: Ghaṭa-karpara-kulaka-vivṛti , a commentary on "Ghaṭakarpara" of Kalidasa ; Kāvyakauṭukavivaraṇa , a "Commentary to the Wonder of Poetry" (a work of Bhaṭṭa Tauta), now lost; and Dhvanyālokalocana , "Illustration of ...
The worship of the Sri Yantra is central to the Shri Vidya system of Hindu worship. The four upward-pointing isosceles triangles represent the Goddess's masculine embodiment Shiva, while the five downward-pointing triangles symbolize the female embodiment Shakti. [5] Thus, the Sri Yantra also represents the union of Masculine and Feminine Divine.