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Heiner Müller (German: [haɪnɐ mʏlɐ]; 9 January 1929 – 30 December 1995) was a German (formerly East German) dramatist, poet, writer, essayist and theatre director. His "enigmatic, fragmentary pieces" are a significant contribution to postmodern drama and postdramatic theatre .
Quartet, sometimes written as Quartett, is a 1980 play written by the (formerly East) German playwright Heiner Müller.. Its subject matter rendered it unlikely for production under the GDR's repressive cultural policies, but Müller's status as the nation's most eminent playwright after the death of Bertolt Brecht allowed him great leeway for travel, and so when the progressive director of ...
Opheliamachine, a postmodernist response to Heiner Mueller's Hamletmachine by the Polish-born American playwright and dramaturg Magda Romanska, premiered to critical acclaim at City Garage Theatre in Santa Monica, CA in 2013, opened at the Berliner Ensemble in Germany on September 30, 2022, and was published in nine languages by Bloomsbury in 2024.
Heiner Müller, "Theme of A.S." (1958), anticipating many of the ideas and images developed in The Mission. [ 2 ] The Mission: Memory of a Revolution ( Der Auftrag: Erinnerungen an eine Revolution ), also known as The Task , is a postmodern drama by the (formerly East ) German playwright Heiner Müller .
With Heiner Müller, she created the dramas Der Lohndrücker (1956), Die Umsiedlerin (1956), Die Korrektur (1957), Klettwitzer Bericht (1958) and Unterwegs (1963). She had remained above all a poet. Although nearly 300 lyrical works were created in her lifetime, only a few were published, mostly in the anthology In diesem besseren Land .
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The production's design echoed the look of landscapes of The Netherlands, and Robert Wilson's text, a Dutch-language adaptation of “Jack and the Beanstalk”, contained such characters and images as Mata Hari, Queen Wilhelmina, William the Silent, cabbages, tulips, and a solitary Union Army soldier in a nonspeaking part.